I like Domino, but called her a “Major Character” is a stretch.

Or maybe the Thunderbolts movie which features several Black Widow characters & Yelena as the leader of the new team?

Too bad about Beetz, she stole the show in Deadpool 2.  Was in charge of every scene she was in.  

You could also just like, pay your writers and give them fair deals? But I guess delaying all your massive movies makes sense, too.

I hope that Secret Invasion does not squander having Cobie Smulders as Maria Hill, unlike every one of the many previous Marvel projects she has appeared in

The thing i never got about NWO is that it implies and Old World Order to which I gesture in confusion. 

Same for me. I watched the first one for the first time right before the sequel, and it was comparatively pretty bad.

Really? I have never, ever heard that.

So, someone at Marvel actually googled “New World Order” (hi conspiracy theories and antisemitism!) and was like...

I love Jack Quaid but he was a poor choice, all I can hear is Ensign Brad Boimler

Lili Reinhart will miss Riverdale like Elizabeth Shue in Hamlet 2, who says she misses acting because “I had so much fun making out with all those cute actors”

I laughed too hard at that head image to that riverdale youtube clip. Looks like a bad SNL skit paused at the wrong time.

I’m guessing that the source of the Superman story is Pierson Fodé’s agent. 

They already did a prequel to The Thing but a sequel seems challenging with Kurt Russell and Keith David now 40 years older

Sorry John, that might have meant something in 2019, but then Halloween Kills and Ends happened. Keep making great music, but I'm not sure I trust your film tastes anymore. 

I don’t know why this collection of sites implemented the “continue reading” button for damn near every post though I suspect its purpose is much the same as the slideshows (“look, ad people: more clicks!”) but, for better and for worse, it seems to be accelerating what was already the slow death of the comment…

It’s not just the repetition, it’s the mentality behind it. A decision-maker focused on tailoring a film to what might please the audience probably doesn’t have a creative bone in their body, and that’ll impact the quality of the work.

Why does he need to see how AI “shakes out” when his entire franchise was built off speculation of how it COULD shake out?

It’s not complicated. The first two films were fresh and creative; and further sequels were attempts to make another Terminator 2 to ever-decreasing returns, because no-one in Hollywood has the imagination to make a film about time-travelling robots that’s not set in the present day with the same main characters.

It’s highly ironic and morbidly funny how the Terminator films began as stories of humanity surviving the advent of AI and machines because of faith and love, but now the franchise has become the story of how the indomitable machine rises from the ashes to once again stalk the silver screen, searching for more…