"Keep" choosing weird people to defend and see how "many" readers feel confused.

And then warmed in a microwave.

I can't get behind flute being used in any music that isn't funk, R&B, or Bill Callahan.

I don't really get NBC's side of this. It's a poorly crafted joke, but he's allowed to use that word. That's the rule.

That's true. Every couple years they throw undue praise at an underperforming new album by a previously very successful artist. It's harder to explain that. I think it's probably the equivalent of Meryl Streep's biannual Oscar nominations. Just like a nice, "Hey thanks for still being part of the establishment" gift. …

The thing about Arsenal is they're always trying to walk it in.

The only thing that needs to be fixed is the assumption that anyone should ever care about an award show created to give extra advertising to the best selling corporate performers. A Grammy has never indicated anything beyond the idea of, "boy this one sold a lot of copies." It's no more an indication of artistic…

I love that show. The episode where Dev and Brian learn their parents' immigration stories was really heartfelt and touching.

He was the second most handsome of all the Bravermans.

How does ISIS have better production values than an American media outlet?

Cheech and Chong are like The Grateful Dead from 1975-95 for me. I recently tried to get into both just because I turned 30 and felt I should re-examine some of my hippie hatred to see if it was unfounded.

Of course not. You're both adults.

Even Neil Peart recently quit touring because his body can't handle the grind of playing for so long every night. That other comment mentioned Charlie Watts as one of the only drummers from that era still going, and that's gotta be at least in part because he never had an especially physical style even when he was…

Was he the one who liked Guided By Voices? I always wished he had done a better job of repping Isolation Drills.

I would watch that.

Can she still do a hand stand?

Dear Jeff Dunham,

Not enough people recognize the tremendous contributions from Bill Ward when they talk about Sabbath's heaviness. He articulated half time feel in a way that was often sparse and really far back on the beat, but with this real bouncing sense of rhythm that made early 70s Sabbath sound like a living, breathing monster…

Hey man, I don't come over to Newswires about your country and make accurate criticisms. Have some grace.

Read this in your most cartoonish semantic nerd voice: Review and revision are actually very import aspects of practice.