I've never understood that claim as I've always felt his voice to be revelatory & never anything even approaching a hindrance. Honestly, I think he might be the best singer of the 1960s/1970s. His phrasing, sneering, delivery - all of it.

That is a wonderful Dylan. Those songs are largely so sneakily impactful.

Highway 61 Revisited & Blonde on Blonde are practically unparalleled in the history of rock music & Bringing it All Back Home is right there too.

I'll write the forward for you. It's truly a near perfect collection of songs.

100 times this. How in the world wasn't Blind Willie McTell an album track?

Yeah, I was half waiting for those opening chords from 'Turn, Turn, Turn' to chime in.

You really must go to Honolulu (or as Bob would term it 'old Hono-loola'). You must.

Yeah, certainly not top notch Dylan but absolutely a hit record & not a 'flop' in any sense. I believe it was very well received critically too (although not to the level that Blood on the Tracks would be, sure).

Wouldn't Neighborhood Bully off of Infidels qualify in spades?

Well, the thing about those people is….they're jackasses.

Ever? Yes, this is correct.

I actually think a funny interpretation is that JJ & Gary were just that oblivious to what was going on around them. I'd explain further but I really have to go…

Something tells me that was the apex of their time together.

Yeah, I'm with you. Leave Dazed be.

He's very creative.

No, I don't think so.

I dug how Gene was just enabling the whole thing too, ha. Meloni & Hamm were killer there.

'The humor in the Wet Hot American Summer universe can be hard to pin down. '

I mean, we've all been there..

Yes! What a wonderful opening that was all around.