We get it, your straight
We get it, your straight
You sound nice. Who cares why they’re covering this show? The important thing is that they are.
It was a joke, Mark. I was joking.
You fucking idiot, Jeremy, you total, fucking idiot!
Huh, interesting. I was so busy trying to deduce from the promos whether this was literally a retelling of King Lear that it never occurred to me to wonder whether it was a comedy. Are . . . are the promos not very accurate, or what?
Per Alan Sepinwall’s review (which in turn credits Mo Ryan), they only did one take of the train departure.
And full credit to Keri Russell on how she played that train scene. Just the right amount of surprise and grief.
I am an unapologetic sucker for the first twenty years of U2 (Pop is a pretty good album with some of the best rock lyrics of all time, come at me) and “With or Without You” is one of my favorite songs, and yet it’s SO blatant that at first I questioned it’s use ... but then I got into it ... and then when they cut…
I got this momentary image of Paige staying in that safe house apartment forever, her life frozen, and decades from now, still drinking her vodka from the freezer, ending up looking for all the world like...Beloved Character Actress Margo Martindale.
I had a good laugh through the tears at that beat.
That didn’t go at all how I thought it would, and I loved it. That was so quietly devastating.
That beat was so perfect.
“I would’ve worked in a factory.” [Pause] “Managed a factory.”
This is totally, completely, 100% appalling. I never thought I’d say this, but FUCK YOU, JASON BATEMAN!! 👆
Jeffrey Tambor is 73 FUCKING YEARS OLD! How much more damn time does he need in order to learn/grow into a person who behaves in a respectful and professional manner?
EVERYONE WAS IGNORING THE MOST IMPORTANT PERSON IN THE CONVERSATION. *fume*
Why not both?
This is actually why I think the flashback story was incredibly important for the episode, the story of the Waterfords using “free speech” to push their agenda into the mainstream, the silencing of Ofglen, and Ofglen’s use of violent speech all weave together to tell a more complete story and a less disjointed read…
The thing I found most jarring (and sadly most relevant) in this episode was the flashback to Serena’s attempted speech at the university. Here they are under the protection of free speech, and whining about Serena has a ‘right to speak’ because ‘this is America!’...and their proposed initiatives involve stripping…
I’m dying for an Aunt Lydia flashback/backstory. I want to know more about her character. (If anyone has read the book, please don’t spoil. I haven’t read it yet)