I'm pretty sure that at least most of us are here voluntarily.

I actually have to disagree with your caps lock issue. I'm a single and I regularly cook for myself for a week. Even casseroles. If any of my friends happen to stop over on a night when I'm cooking, they regularly get fed fully as if I had been planning for it. Although, actually, when I'm planning for it, I put out…

Doesn't stop them from taking a handful of stacks though, it seems to be implied. [edit] which was a darkly hilarious scene when Walt was like "close enough" and they exchanged knowing and relieved looks, btw. Whoever said up above that this episode brought the dark laughs was right.

You say in a later comment (that I can't reply to) that you can't believe any television show is going to be relevant to anyone then. Many folks watch movies from the early eras of cinema. I certainly have gained a lot of pleasure from Charlie Chaplin's "Modern Times" (multiple times) just for example. Barring some…

Gilligan calls me every night too! Unlike Zack, I'm willing to give the whole game away. Maggie Holly shoots Walt!

Ha ha, me too!

You get an Emmy! And you get an Emmy! And YOU get an Emmy! Everybody gets an Emmy!

No, no, no, no, no. ALWAYS GET A LAWYER. Even if you are innocent. Hell, especially if you are innocent. Cops never have your interests in mind. They have their career (or corruption-oriented) interests in mind and those interests very frequently do not coincide with your interests.

Anna Gunn absolutely killed it this episode. I liked the scene with Hank the best, I was on the edge of my seat.

I'm a bit ashamed to admit I watched the Inside the Episode thing, but the writer says some nonsense about how Eric thought killing all the people at the vampire testing facility would make him feel better, but it didn't, so he had to go away.

Hey man, "Every life matters." That's what the writer and executive producer Brian Buckner (in the Inside the Episode clip) told me was the whole theme of this episode. Terry's life, the catfish's life, Sarah's life, and obviously all the people the show gleefully tore into gory pieces.

I also like the way it symbolically played like both men were going for guns. Walt with the GPS tracker and Hank with the garage door control.

No, I'm pretty sure the throwing up was a reaction to the chemo. During the horking, he notices it's gone and it's not 'til he's lying in bed with Skyler that he puts two and two together and begins to suspect that Hank has it.

The only positive thing that I got out of this episode was that Norrie was short for Eleanor. Oh, and that Angie is no longer a captive. A very, very boring captive. But that latter was offset by the complete incuriousity of her brother as to where the hell she had been the entire time. Seriously, has Joe ever once…

Run out of King tropes?? Isn't this whole thing supposed to be King tropes?

Normal people are able to rationalize quite a bit it seems to me, considering the past thousands of years of human history.

I threw a remote at my sister's head once (and missed) and it shattered into literally dozens of pieces against the wall. This, however, was the 1980s and each remote button was a shiny little nested ball. We attempted to put it back together and put it back on the arm of my father's easy chair, but he was not fooled.

Spinoff? What spinoff?

I would have been happier if at least a few of them had taken her up on her offer and said, "F this, I'm outta here!", testing her promise that they would not be harmed. Total unanimity of support strained my credulity.

Loved this episode. I think the call back to the early absurdity of having an umbrella stand on the TARDIS (First Doctor, wasn't it?) was hilarious. But, many, many other reasons to love this episode. Loving Matt Smith and Jenna Louise Coleman's chemistry and looking forward to more Clara/TARDIS story. This is…