sketchesbyboze
sketches by boze
sketchesbyboze

True, it just takes a more circuitous route to getting there.

Man, these last two episodes are so great. The finale probably takes the greatest liberties with the text, but I love it because it's the moment when the show embraces its inner Doctor Who. It's an hour of madcap genius.

I made this exact argument in a newspaper article I wrote in high school, and every English teacher on campus descended on me in fury, shaking their gory locks.

IT WORKED!

David Copperfield! Oh, the headaches I got in junior high trying to explain that no, I wasn't reading a novel about the magician who had made the Statue of Liberty disappear.

This is encouraging given the basically abysmal review the show was given by the AV Club when it premiered.

actually no!

A new free album featuring the geniuses behind Yankee Hotel Foxtrot? Don't mind if I do.

But at least we still have The Dissolve.

FFC should've been a runner-up, but Ford arguably had the better career.

Hot Fuss is the more popular album, but Sam's Town has seen a resurgence of appreciation and acclaim in the last half-decade.

Scorsese is great, but Spielberg is greater.

Nosferatu.

I will concede that the first half of Hot Fuss is stronger than the second half. But the first half of Hot Fuss is stronger than most *albums.*

"… but With Love And Squalor on the whole is a better, more consistent album than Hot Fuss, which starts remarkably strong before petering out almost completely."

why are we still getting excited about Jon Snow being heir to the throne now that he's passed from this realm

Seriously. I know a friend whose newborn baby looks *exactly* like Churchill. She even posted a side-by-side comparison.

It was used sparingly in the first couple of movies, which is why I prefer those movies over Return of the King.

Another important lesson filmmakers will have to learn is the virtue of smallness. We find it easier to care about the fate of three or four people in peril than we do a whole world on the brink of destruction.

It's funny how the best and most beloved blockbusters of the last 25 years have
used CGI sparingly, if at all. Jurassic Park. Fellowship of the Ring. Fury Road.