Well, presumably his sister and brother (and cousins?) would be helping at the farm. And he's always had friends around to help with stuff too, so I don't think it's a huge stretch that he would have (or hire) help.
Well, presumably his sister and brother (and cousins?) would be helping at the farm. And he's always had friends around to help with stuff too, so I don't think it's a huge stretch that he would have (or hire) help.
Yeah, but if I recall correctly, that was all before they went to Florida to deal with the Dunder Mifflin Infinity stuff. I think he's learned a lot about Dwight as a person since then, as well has his passions and ethics. And vice versa, honestly. One of my favorite Dwight/Jim scenes is when they're in bed in the…
That one was up there with "I DECLARE BANKRUPTCY!".
I don't know that it was better, but I know I was more interested in it.
I also really appreciated her genuine enthusiasm when Dwight announced he was the manager. Really added something to an already great scene.
They got me. I admit, they got me with this one. Hitting so many emotionally resonant notes that I've been waiting for so long (e.g., Dwight gets his day, but with a clarity and perspective that will serve him well, Angela is truly humbled for once, and Jim & Dwight finally openly show the fondness for one another…
Can't be the reason. David Bowie hasn't sued to stop anyone from playing the "Dancing In The Street" video, after all.
Eh. I feel like Michael Showalter was slummin' on that one.
I enjoyed it. I feel like it matched up against most episodes from other seasons, and really stretched what was going on this season (in a good way). Part of what I've always enjoyed about the show is the characters, and to me, this didn't just feel like ret-con to make an episode.
Yup. Who knew that Magnitude's fun persona was really just a case of PTSD?
"Who knew this dog was here?!"
I appreciate when shows try to expand their experience with the audience by creating other interactive means to address the show, but these types of blogs irk me. Mostly because it's almost always commenters talking to the character in a way that tries to give them perspective beyond what their character is supposed…
I'm always entertained by "We need a new reviewer!" posts because it presupposes that there is someone else on the staff who would actually want to review the show. Maybe we should just be glad to have someplace here to discuss the episodes at all.
I think you're both right, actually. No, Chloe Sevigny is not a
household name for much of the country. There would like need to be some degree of "You know, the really serious Mormon from Big Love" in most households.
Someone else said basically the same thing about Rob Corddry in the Happy Endings forum last week. If the two Robs got together to star in their own TV show, I think it would lead to a full-scale apocalypse.
Or just general rudeness.
I liked the first season of AHS. For me, it's that this show started off pretty well and had a lot of promise but then crashed amazingly quickly. Beyond even Bacon's ability to save it.
For anyone still wondering, Nathan For You has been renewed for a second season.
I enjoyed it also. I found this episode to be the most engaging so far. As creepy as Norma's obsession with finding out who Norman was sleeping with, I particularly enjoyed the scenes with Emma and Norma gal-palling around.
Cosign. James Purefoy's face is very stoic in the face of a flaming building, isn't it? At least compared to the ADR'ed screams.