honestly, it kinda sounds like someone combined meet the feebles with puppet rapist. for the uninitiated:
https://youtu.be/-DD0pBgotC0

semyon's shown absolutely no indication that any of this is going according to plan. if this is his plan, he's making all the wrong choices, kind of like a reverse-engineered walt white who finds a way to give himself lung cancer.
and here's the thing: there's no "non-lethal" ammunition, only less-lethal. velcoro…

ehhh, maybe. velcoro clearly had no intention of being shot, beanbag shells or otherwise. if this whole thing's a false-flag operation, it's semyon alone pulling the strings, and then it wouldn't make sense why he'd be killing his own henchman and threatening old business partners over it. if he wants back in to their…

true. birdman could be robert durst-ing it here, killing only those who demonstrate that they know too much (caspere, and, ostensibly, stanley?) kind of the opposite of the yellow king last season, who took lives for his own pleasure more than anything else.

yeah, but most of the cops involved ('sides our ~true detectives~) are only tangentially interested in catching that guy what burnt out caspere's eyes. if an officer of the law gets blown away by baddies in the process of this investigation, you better believe that the state has to expend a great deal more manpower…

i don't really see the reason why the bird-masked-fella would kill velcoro, given that finding caspere's hidden love-swing cabin isn't exactly a game-changer. if s/he's a cop (or at least connected to someone higher up), s/he might already be aware that the state's case is largely about busting vinci for their obvious…

i'm definitely in agreement with you there. early deftones was mostly unfuckwitable imho.

epitaph distribution didn't hurt. also, the shape of punk to come was purported to be an Important Record, even though bands like snapcase did a similar thing minus the interest in studio wizardry. and the later 90s were kind of nu-metal's golden age; mid-tempo hardcore bands with heavily syncopated beats and…

if anything, i'd argue stftfod was the closest refused came to making a solid record. besides legitimate rager "worms of the senses", the shape of punk to come's always felt to me more like a lot of studio dickery cloaking several half-baked song ideas.
not tryin2b a contrarian; i'd just argue the "undisputed classic"…

ehhh, plenty of homophobes don't swing that way, just like plenty of closeted dudes can still get their junk to work right when needed to keep their cover. i think more it's that he felt doubly emasculated, as his ptsd-addled perma-flaccid dong already makes him view himself as less of a man.

counterpoint: the kids today who know what the real punk music is ain't at warped tour.

two words: dollhouse.

ehh, he's not a drinker and he's pretty non-confrontational for a guy whose speaking voice sounds like an nyc club comic from the mid-80s. a headbutt'd probably work fine on him, though

i mean, it'd be one thing if your point was in some way critiquing the hollywood studio system, but that has absolutely no bearing on the creative process of a billionaire who was able to indulge his every whim on his last three goddamn films.

j.t. prefers to be the middle in a horizontal human centipede

my vote's for famed flophauser stuart wellington, as the daily show could always use more castle freak references

#yesallstabvictims

mine's timothy olyphant. i wouldn't mind a chance to grab seth bullock by the horn…

*downvoted*

't comes off like someone heard th'idea o' a movie trailer 'nd jus' went with 't