shanedanielsen
Shane Danielsen
shanedanielsen

He insisted staff would “have the option to come.” They were “certainly not required,” Robson said. “But the jobs are going to be moving to L.A.”

That’s by no means a hot take.

He’s terrific. Which makes it a real shame that this movie gives him no actual character to play, and then shuffles him offstage for most of the second half, for no good reason.

My wife and I still look at each other sometimes, when one of us mentions some movie, and say, “Wait, why did we see that piece of shit, again? Oh yeah, that’s right – MoviePass!”

. . . maybe see the movie first?

It was his 12th feature.

Couldn’t agree more. 

She’s fucking brilliant and, yeah, electrifying. Personal Shopper is her best performance – and her best film, one of the most quietly terrifying ghost stories ever put on screen. But its power depends a lot on her portrayal of that character, and the mixture of fear and longing and uncertainty that she transmits at

Very bad.

Narrator: “They don’t.”

Yep. Fuck this overrated cokehead cunt for all time.

Yeah. This is the point of the review.

Hardly anyone has mentioned Can You Ever Forgive Me?, in which she was absolutely fantastic. I rate that and Steve Carrell’s work in Foxcatcher as two of the finest dramatic performances ever given by (people we generally regard as) comic actors.

That’s almost Amanda Palmer-level.

I wish him good health and a full recovery. In part, I admit, because I really want to know where he got that scarf.

Wasn’t that Matt Gaetz’s origin story?

I feel like we have an impoverished idea of constitutes “gorgeous”, these days. In the Mood For Love is gorgeous. The Conformist is gorgeous. Days of Heaven, Werckmeister Harmonies, Barry Lyndon.

It’s still funny. One of the greatest two-and-done CBB characters.

Mr Inbetween is the first Australian TV show since Love My Way (and maybe the first season of Underbelly) not to fill me with shame and despair. Our TV industry is an embarrassment. Anyone who hasn’t seen it should check it out. (And while on the subject of terrific Australian actors, should note Nicholas Cassim’s

Full Mendo’s a fucking breathtaking thing. And Rush is a c***.