I own that book and enjoyed it so much, I’ve given it as a fun little gift to a few friends. 

Everyone has forgotten “Better Luck Tomorrow”

The trailers for this have been pretty broad and terrible, so I’m glad to hear it’s actually good. I was worried about Jon “Jem & the Holograms” Chu directing.

I remember that bit from Reservoir Dogs.

It literally sounds like Garth Marenghi:

“This is Hollywood’s first Asian-American-centric studio movie since The Joy Luck Club 25 years ago...”

*up-and-coming actress Poland Spring nods sagely*

Tobey Maguire was a good Peter Parker but a bad Spider-Man.  Andrew Garfield was a good Spider-Man but a bad Peter Parker.  Tom Holland is a good Peter Parker AND a good Spider-Man.  That’s why he’s the best one.

Keep in mind, I am not questioning the fact that this show isn’t good.

Anyone else catch the Aunt May nip slip when Goblin breaks into her bedroom? Aw yeah.

But it’s not accurate. How soon people forget Thunderlips from the No. 4 movie of 1982 ($391 million box office, adjusted for inflation), Rocky III

“Aunt Man” is the greatest Marvel-related typo that ever was.

The part where the Oscorp execs are instantly turned into skeletons, like something out of Mars Attacks!, is one of the few missteps in a film that for all the superheroics, is generally rooted in something approximating the real world.

Actually, no. As others have mentioned, sharp eyes will recognize his cameo as the blonde vampire woman who leads the guy to the blood sprinkler party in Blade

Simmons nails J. Jonah Jameson so much it’s hardly a surprise that neither the Garfield movies or Homecoming have attempted to cast a new one. Can't top perfection.

“Willem Dafoe, an actor whose very bone structure screams villainy, goes into pantomime overdrive as the Green Goblin”

He’s got his hand on my crotch right now.

Crawling into someone’s bed while they’re sleeping is not something you can explain your way out of with a candid interview. Fucking dead-eyed creep.

I mean, in the original King Kong, there are at least three different scales at which Kong exists, depending on the needs of the scene.