Hey,
First of all, congratulations on getting this finished - you've obviously been working on this for quite a while now, so the fact that you've persevered on it is admirable in and of itself! Secondly, and this is probably a little forward of me, I happen to work at a documentary distribution company, so if you ever…

Disappointed I had to scroll down this far to find this, one of my favourite scenes in one of my favourites movies.

It's a shame, because Mystery to Me is my favourite pre-Nicks and Buckingham album of theirs by a fair margin. "Hypnotized" and "Why" are two of my absolute favourite FM songs, with the latter maybe even being my #1 pick.

No mention of St. Vincent on O'Neal's list…is the love affair over so soon?

diversify your companions, nigga

they're both drunken Irishmen, it all fits!

So you're using something that hasn't happened, and might not ever happen, to justify your disdain. Gotcha.

I must admit, when I marathoned the series on netflix I often used to spend the opening credits trying to guess which actor name matched with which character (without checking on imdb). It was, unsurprisingly, rather difficult, considering that I only knew of Dushku and Olivia Williams beforehand.

Also, it has one of the worst sex scenes I've ever seen. Just a head's up.

I saw this film last year in Prague and I have to say, D'Angelo pretty much nails how frustratingly, uh, not good it is. Loads of ambition, sure, but its different parts are so disparate and underdeveloped that it never really coheres into a good film (I agree with his assessment that the transition from the 'real…

Agent Pleaseexcusemewhile IKisstheSkye

I am a 20 year old powerlifter

Ahem, I think it was Boyle who was on fire tonight, mhmyes

Don't you mean…'reel talk'?

I heard some good things about The Tall Man, but I haven't actually seen it. The Illusionist is pretty good, I guess. Also, according to IMDB she was in a film called Ulee's Gold, which has a fairly high rating on IMDB and metacritic, so she has that going for her, too!

Pretty sure LaBeouf's just doing all this to take the heat off Von Trier's inevitable gallimaufry of gaffes on the Nymphomaniac press junket.

I know what you mean, in that he mostly uses quite a staccato, line by line delivery (if that makes sense), but saying he has no flow at all is plain wrong, since he's more than capable of developing a flow on certain tracks ("The Party" is the example which most obviously springs to mind).

I thought the problem was that amc made sure that we were all to aware it was on…?

1. O Brother, Where Art Thou?
2. A Serious Man
3. The Big Lebowski
4. The Hudsucker Proxy
5. True Grit
6. Barton Fink
7. Miller's Crossing
8. Raising Arizona
9. Fargo
10. No Country for Old Men (Both this and Fargo are due a rewatch. Hell, most of these films are but I need to see these two again especially since I don't think…

I think you mean