WRONG! He only eats beautiful pieces of chocolate cake, thus proving he's not a racist at all.
WRONG! He only eats beautiful pieces of chocolate cake, thus proving he's not a racist at all.
"I don't wanna live in America no more" - granted, New Orleans would make most people re-think their stance on that.
"We Don't Deserve Love" has the sound of a concert's emotional highlight. Sure wish I was going to see them live.
As well as ^The Summer of 4 Feet 2"
Like this guy:
https://www.youtube.com/wat…
I wouldn't recognize "MMMBop" if it was walking around with its balls swaying in its cargo shorts.
My favorite scene as well, and the heart of the film. "It was supposed to be about justice. Somewhere along the way, I lost sight of that."
Wonder Boys is great stuff, too.
Especially if he has to walk in front of Spicey's favorite hiding bush.
Anything with "What's New Pussycat?" playing in the background.
Baelish knows
Not clear to me: Was it a coincidence that Euron knew to attack *that* particular ship? Or did it have some unique look that made it stand out from the crowd?
I got more of a Meat Loaf "Bat Out of Hell" vibe from it.
I can do without lines like "Give your uncle a kiss". Just be an unpredictable loon. I don't need cool dry wit from the Bruce Willis of the Iron Islands.
Couldn't the showrunners have staged the fight so that Euron and all the Sand Snakes killed each other simultaneously? It would have removed a high percentage of ridiculousness from the show.
And washed down with Morphibe's (wait for it) "I'm Free Now".
Jorma Kaukonen's "Embryonic Journey," Neil Young on "No More," Edge on "The Fly"
Or his lengthy piano intro to "New York City Serenade".
Or “I Wish We’d All Been Ready," played over the opening sequence of Season 3. That was an obscurity, to say the least, but right on target.
In addition to the joke of not nominating Carrie Coon for this show, I'm also stunned that Liza Richardson wasn't nominated for Best Music Supervision. Just finding that Wu-Tang cut alone should have clinched the award for her. And Robert Humphreys, whose cinematography caught that extraordinary ending to the "G'Day…