Not all of them. If I recall correctly (it's been about a month since I saw the pilot), Henry is actually not very well-liked personally by his superiors because he's perpetually single and comes across fairly stiff. Part of why he 'helps' Eliza is because he needs a date for his boss' daughter's wedding or something…

Yeah, I'm a little baffled by the people who are criticizing how precise and mannered it is, given how flawlessly that fits the character's relentlessly self-constructed nature.

Because if you don't, you will get half a class turning in fucking 250 word essays with no structure or thesis or citations.

I'm hoping it's 51 Jump Street or whatever comes after the very last of the fake posters in 22 and they just pretend like all those ridiculous movies actually happened.

Linda Lee Danvers or bust!

I kind of feel like Step Up 3 was the Moose-centric one. He was certainly the most redeeming part of the film, and his struggle to balance school with dance was afforded a lot more screentime than, "This club/loft/dance studio combo is losing money!" plot.

The Plague of Realism.

Lovefest: Punisher: War Zone

His very first. Captain America Vol. 5 #1-50. Though The absolute best of it is probably #1-30 or so.

You're right on this one, at least. Sand is the worst.

Gotta love Shortpacked.

The worst is when you're playing them in a horror game. Going through a tense segment of SILENT HILL 2, terrified to look around the corner, you finally work up the courage to step through the door only to find.

I'd definitely consider "World's End" his best film. Thoughtful and mature in a way his previous work wasn't, it's superbly structured and shows how much he's learned since Shaun/Fuzz, especially in shooting and editing action. I'm not claiming he's reinvented cinema, because I am not a dolt, and I haven't seen a…

Sure there are; you could say that about literally anyone. But the fact is, Wright and his crew are doing things with editing that very few 'mainstream' filmmakers are doing; they edit fast, but with ferocious purpose.

The fact that The World's End was, if anything, even more ambitious and less commercial? Wright doesn't seem to back down easily from what he wants to do.

I don't know, man, you're thinking 'out there' with regards to content, which… who cares. Wright's stuff doesn't tend to be too outre with the amount of weirdness on the screen, and it never has.

Vocal minstrelsy is an interesting way to describe it, and not wholly inaccurate. What's frustrating is that her flow actually isn't bad - she has a quick, malleable voice - but she's using it in awful ways.

We can never appropriate enough black culture. NEVER.

I heard Fancy for the first time recently, and then three more times that day. And it is just the fucking worst. I don't know who this Iggy Azalea person is, but she gives white girls rapping a fucking abysmal name.

Constantine once gave the Pope a handjob and got sexually assaulted by a dog. These, I could totally understand NBC deciding, "Hey, this might be too risque for modern audiences." I mean, sure, they had HANNIBAL give us a full view of murdered people with their back-skin peeled off into angel wings, but, fine, sex…