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Surely they'll dedicate a page or two to warm guns.

Is this what passes for a comment on a comment these days?

It's Whitey Vulger.

GIVE ME THE GUN CARLTON!

As long as the elderly lady is Garol from Broad City, I'm down with that.

Well, Saul's idea for the show involved time travel, talking cars and lifeguards. And he fought for those ideas with persistence and frustration.

And God is empty, just like his hair follicles.

"When every episode follows exactly the same beats, how are we, the audience, supposed to differentiate between what’s significant and what’s just for fun?"

Up in the sky!

I just listened to this and it's pretty fucking awesome, conceptually and musically…

And with way more McFoolishness. In addition to having a rather stellar cast, Chicago Hope often found dramatic beats in the administrative challenges of running a hospital, which hasn't really been a major focus of other popular hospital dramas (with the exception of The Knick).

No sheeeeeeeeeit?

In the context of The Wild One, Brando's response can certainly be taken as "rebellion-for-rebellion's sake" - it was the 50's and those newfangled "teen-agers" we just out-of-control savages. However, in retrospect, it also functions as a succinct analysis of what constitutes "rebellion" for teenagers over the last

The resonance of YA-oriented films over the decades generally boils down to this exchange from The Wild One:

The fact these stories tend to be about teenagers living under a corrupt oppressive Government in a dystopian future probably says more about impressions that Gen X and Baby Boomers have about Millennials' views.

Exactly. I was shaking my head at the big trend several years ago that suggested organizations had to radically adjust the workplace to accommodate the next generation of workers. (Tagline: Generations Collide in the Workplace! What Will We Do?) Somehow, psychosocial development and generation-based cohorts got

That's such a Millennial thing to say.

The fact that you've made an excellent point on a complicated social issue is really odd and bizarre.

You know, despite its juvenile exterior, "Big Weenie" has maintained a place in my playlist (provided I'm including multiple Eminem songs). It's obviously a dumb song but it's also playfully funny (i.e., frogs with sunglasses) and features a virtuoso verse of absurdist humor (i.e., using tooth decay as a metaphor for

As an East Coaster, I will always prefer the gentle, crisp juiciness of a McIntosh. Plus, they're almost always the most cost effective when they're in season. Oranges are for assholes.