It's just the end; at the beginning, they're talking about the new TV and Bluray player.

As a rule, I tend to disagree with grad-complainers, but basically every week I find myself among their chorus when the It's Always Sunny reviews get posted. I'm sorry Dennis!

Fuck, you beat me to it.

What jerk downvoted this? I demand to know!

One, dictionaries are descriptive, not prescriptive; they reflect how languages are actually used, not how they should be. Two: literally has been used as an intensifier for literally centuries.

I admit, the fact that I wasn't super-happy with the ending almost certainly made me misinterpret it.

and Deleuzian.

I totally thought after it ended it was supposed to be ambiguous if he was dead or just passed out, but it seems the interpretation that he died is pretty universal at this point, so I figured I missed something.

Germany Year Zero is my least favorite of the three by a long shot, personally. It feels far too pat.

Maybe he can get bit by whatever Vin Diesel's brother was trying to pet.

I am reading the wrong Cormac McCarthy books.

What book is that in? Because that's completely nutbars.

@avclub-5bc6960dad8ab0694bb4d6ff884b0c1e:disqus If he does try to kill himself with the ricin, I have a feeling it won't work. I really just don't see a way Walt dies at the end of the episode; that's far too easy of an out for him. I think Vince wants to punish him as much as anyone else.

Or becoming a lumberjack.

It's an OK movie and a poor Constantine movie.

It's to the point where my former roommate made me pick episodes off of Netflix for him to watch so he couldn't see the titles.

Yeah - I read a collection of seven of his plays, and while I hate Christopher Durang, near the end of the last one I was starting to think his parody was pretty spot-on. His surrealism is just too tinged with a longing for a lost masculinity for me.

Is there a cultural reason that Japanese movies often have such straightforward titles? (I'm thinking of Cruel Gun Story, Cruel Story of Youth, Tokyo Story, Story of a Prostitute…) I may be seeing a trend where there isn't one.

It's one thing to use aspects of your life in your literature and another to use the same aspect in every other thing you write.

And I'm not an mgmt superfan