All right, I gave you a chance to give a real answer, except you've decided to continue acting like a head-up-his-ass Holden Caufield troll. Good night.

(also, these may not be the exact names of the companies in question.)

Which is exactly why companies like Amalgamated Jell-O Ltd., International Kleenex and Pipe Fitting, etc. fight so hard to maintain their copyrights, because if they don't, your argument has much better standing in a court of law (as I understand it, anyway).

Howard himself says the insurance is the last straw, though. The bigger problem, as he says more than once, is that Chuck has been exhibiting poor judgment and letting personal vendettas cloud his decision-making. He's a liability to the firm even if the insurance rates remain the same.

"Wait! Come back! You forgot your train! The symbol of your lost youth and innocence!"

May We See Stupid Chuck Over Extend, Sever Family, Lose.

I find myself these days bitching more about Netflix's infuriating auto-play system, that starts a video if you leave it selected on the menu for three seconds.

I've been meaning to watch Sledge Hammer!, but it's been tough to track down.

Gotta say, that's the hardest I've ever seen anyone own someone by handing them a $3 million check.

Yeah, me too. And I wonder if Jimmy could have gotten away with making the argument that they were all still better off this way, getting the money now.

Nacho's pills weren't some magic bullet to poison Hector. They were just supposed to replace whatever relief/benefit Hector got from taking them, and eventually nature would take its course (the original pills didn't automatically prevent an impending stroke or anything like that).

I don't know, unless something like that was mentioned. She does put the code into the Blackberry which turns the box in Buenos Aires into a gold marble, but Buenos Aires isn't Rio.

Nah, the gold standard for endings is The Shield.

I think that's a fair perspective— there have been scenes where I wonder "Is this really necessary?" or where a "slow burn" seems to mean "stalling out on action"— but I still look forward to it every week, and Chuck's breakdown in "Chicanery" was an all-timer.

Yeah, I really liked how Patrick Fabian played it— this is still business, but Howard is really hurt by Chuck's reaction. And then, the blow from Howard that he'd rather go into his own pocket, go into debt, rather than keep Chuck in the firm.

For like half the season people were predicting that Chuck's house would burn down when they saw the title of the last episode was "Lantern," but I was very surprised that he did it intentionally.

I don't think it's accidental that he was deliberately cruel to Jimmy, then had an episode that night where he couldn't write about his emotions, then had his symptoms start coming back.

Oh, that's right. He needed some information from Hastings' secretary? Yeah, I don't know what that is about, either— I assume we'll learn more.

The character is credited that episode as "American Girl."

"Naido," in the credits.