ronniebarzel
RonnieBarzel
ronniebarzel

If we’re going to friendly humiliate John Mulaney for charity, can’t NBC or whoever just make a special, real-life “What’s the Name?” with Bill Hader hosting?

I’d forgotten about that one, but you’re right! Good call!

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Seriously, why don’t trailers have narrators anymore?

Hopefully this does well so we can get the sequel, We Live In A World.

The more discourse I read on the topic — and some of it does raise valid points, esp. when the beneficiary is uniquely untalented — the more I appreciate Maya Hawke’s honesty and upfrontness about it. (And to a lesser extent, JLC’s.)

It helps to have Hall of Fame talent and be the owner of perhaps the sweetest bat swing since maybe Ted Williams.

Does Clancy count as a “nepo baby”? (And the single coolest “nepo baby” ever, I’d have to say, or at least maybe 2nd to Jamie Lee Curtis.)

and a movie you’ve probably (hopefully!) never seen called Soul Man

You rightfully mention it, but I just think it bears repeating: God damn, that is a great soundtrack! It’s almost “This is Spinal Tap” in how the songs are both a pitch-perfect pastiche and excellent sincere contribution to the form.

$170 million, though that’s only about $90 million with ads.

Glad to see “Buffy” included, but I’d actually have put a different oner: The 3 1/2-minute shot near the start of “Anne” (S3 E1) that starts in the library, goes out to the hall and eventually meanders its way to the student break area. It even gives Larry a good line (“If we can focus, keep discipline, and not have

I actually braved the infested world of LimeWire to get “Tonight is What...,” back before iTunes had it legitimately for sale.

If I may offer a suggestion:

Groovy.

I just think that their appeal is becoming more selective.”

And as she herself points out in the “about this video” blurb: She’s broken it into 20-some chapters, making popping in and out of it even easier.

Keep in mind that the philosophy behind release schedules is wildly different from 1983. Where Furiosa opened in 3,800 theaters and Garfield in 4,000, Jedi was in just 1,000. It was much more a marathon than a sprint.

My thought watching this trailer: I hope Ronny Cox is OK.

The wrong keed died.

When did Ineson cross over into the level of success where writers don’t feel compelled to include The Office when listing a few of his previous works?