It's be nice if Criterion took a break from releasing every single Japanese movie ever made and concentrate on other parts of Asia for a while.

Bret Easton Ellis's podcast is wonderful.

I know everyone (but me) hated MORGAN, but the interrogation scene between Anya Taylor-Joy and Paul Giamatti was pretty fucking magnificent.

The biggest crime of WARCRAFT is that it completely wasted Travis Fimmel, who is incredibly charismatic and powerful on VIKINGS.

You know, they say that women with those deep back dimples are highly orgasmic.

-MISS PEREGRINE'S: The eyeball feast (storyboarded by Tim Burton himself!).

Bret Easton Ellis said that the first 40 minutes of THE ARRIVAL was the best cinema of the year. After that, it wasn't.

Nice to have To back kicking ass after making fluffy rom-coms with all that lovely Mainland money for a few years.

The shaman/exorcism scene from THE WAILING was the most bravura scene of the year for me.

Eight dead cops in Dallas, asshole.

Ann Coulter is a legend with 11 NTY bestsellers to her name.

A 26-minute interview cut down to 6 minutes to make a mental midget like Trevor Noah look good.

Maybe some of the footage he shot will be used.

Only a Clinton would try to steal an election, fail, then try to steal it again.

Yes! Audit the votes so that when the Democrats' illegal votes are exposed and discounted then Hillary's 'popular vote' will sink like a fucking boulder.

BAND OF BROTHERS.

Hard to argue it.

Imagine if a candidate's politics was a lot more pragmatic and reasonable than the overwhelming majority of the establishment media, who were zealously supporting the other candidate, was representing it as.

I read a really good biography of Mata Hari years ago called THE EYE OF DAWN.

'Confusion' is the best song on it.