The first I ever heard about Prince's vault of unreleased material was Kevin Smith's mind-blowing story about shooting an unreleased documentary.

It's interesting that Adam Driver was set up to be the scumbag cypher of the show in the first season, and he ended up being the only really likeable character on it.

Pryor himself already made a whole movie about that.

Paul Schrader recently said of working with Pryor on BLUE COLLAR: "He wanted to be the biggest star, but also the blackest star. And he was incredibly angry when he learned how hard it was to be both."

The recent documentary told an amazing story about the making of 'Live on the Sunset Strip'; his special after he had recovered from his freebase accident.

Alain Delon was pretty much the most beautiful man on the planet for a few years. Especially in PLEIN SOLEIL (aka, the original version of THE TALENTED MR RIPLEY).

I';ll need to check that out. Kurosawa is the all time best in my opinion.

Mifune was as much an architect of modern film acting as Brando was.

That's it.

Even a blind chicken finds a piece of corn once in a while.

My favourite HARD TARGET story is that Van Damme was standing over Woo's shoulder in the editing room, dictating the edits based on how good his ass looked in the shot.

I hated OFFICE. Mainland pandering and awful songs.

He kind of fucked them all over, though.

He wanted to do musicals.

It's weird to hear how many acknowledged HK classics were not successful at the time.

I can (and have) put that movie on and gladly lose an afternoon to it.

That's one of Chow's best. And it contains the single most "WHAT THE FUCK!?!!" moment in cinema history.

Unlike Hollywood, the HK audience is fond of the fatalistic hero who dies nobly.

Have you watched those insufferable FROM VEGAS TO MACAU movies?

Those shady distributors' were most likely the Eastern Heroes guys.