Totally worth it. In the Woods was for me the best episode of television last year by a mile. The Elevator series is also brilliant and frankly should be cut and released into theaters as a feature film.

Interesting, thanks for the info. I guess maybe he's just most comfortable without a script in general.

Exactly! What's in it for me?

Well comedy is usually a writer's game. He's had better material on his new show and is most effective in the roundtable, where he isn't limited by what the writers give him.

How can there possibly be two Tom Greens in the world making terrible movies? Who's funding this?

I disagree. But not because of him. He's proven himself a great comedian on The Nightly Show.

Fair, but not everyone falls prey to Boyd Crowder afterward.

Maybe I missed something, but how exactly did Raylan go from having everyone assume that he was a dirty cop (with a warrant out for his arrest) conspiring with Ava to just getting to walk free? And if everyone thought he was conspiring with Ava, why would they let her ride in his car? Then Ava even got away with the…

I agree, but the show eventually cycles her back away from Boyd, and her decision to sell him out is the atonement for it. Plus, as Zachariah frequently noted, Ava has never been able to accurately evaluate the Crowders. She was damaged goods after Bowman, and then she gets wooed by the Devil himself. To me, she was…

He seems to me an intentional caricature of Raylan, a version of him that everyone saw but never really existed. Getting to kill him was killing that image, further capitalized by the way both their hats fall off at the end of that scene. The show was always a parody of the Western gunslinger, embracing the fun of the…

So much of this episode was a direct response to the pilot that I think it's worth watching the pilot and finale back-to-back to see why they did what they did. Ava earned that life in the pilot. And so much of the message of this show is about the unexpected but unchangeable path that people take. Raylan and Boyd…

I'm not that funny on purpose.

12 Years a Slave could've just as easily been an Ellar Coltrane biopic.

100. Edge Of Tomorrow
99. Mother
98. You Ain’t Seen Nothin’ Yet
97. The Interrupters
96. Black Swan
95. Tinker Tailor Soldier Spy
94. Only Lovers Left Alive
93. A Field In England
92. The Skin I Live In
91. The Avengers
90. Carlos
89. Barbara
88. Toy Story 3
87. White Material
86. Exit Through The Gift Shop
85. Drug War
84. The…

Don't worry, they're just a fad. The industry will shift back soon enough.

Your opinion's bad and you should feel bad.

I'm only three of those four things. Damn, no wonder.

Interesting choice with Keyhole. I didn't love it, but I understand how you could. My Winnipeg is where it's at for me. That shit is incredible.

Hmm, I never saw anything like that in the movie. It seemed more like an attempt to humanize a group of people you would never otherwise see in a feature film. The film goes to great lengths to empathize with their erratic behavior.

Beasts of the Southern Wild seems to have been forgotten for some reason. I've even encountered some backlash here for supposedly portraying rescue workers in a negative light. I don't get it. It was a brilliant concept and pretty impressively executed.