I liked Carr in the first season when she was interacting with the rest of the team, and had something to do. It’s just a shame that the best thing they could think of to do with her in the second season was this.

The one thing that bothered me about the whole Little Tench subplot was that Bill could keep this info a secret from his coworkers.

Ed Kemper is absolutely my favorite character on the show.

I just said “oh, thank god,” aloud when you pointed out Cooper is wearing prosthetics. It feels especially cruel for someone to have to go through life looking like David Berkowitz, all things considered.

“It’s a very civilized ass-lick”

I love Anna Torv.  And those 70s outfits they put her in are great.

1) I thought the Son of Sam guy did a really good job, and great casting
2) Fincher has so much money he throws “Tusk” on over the credits. “The Americans” made it the centerpiece of their pilot episode and it was likely a large part of the budget.
3) the scene in the car with Kevin Bright was Emmys all around. Perfect…

Cyril is good at tactical planning but still sucks at the physical aspects of field work. He still needs Archer or Lana to actually take down the bad guys.

You have to admire Ramse's ridiculous determination towards ensuring a future in which a son he's known for a few days lives in a virus-ridden apocalyptic hellscape. Sure, he's orphaned and food and shelter are scarce and roving bands of killers could strike any semblance of civilization at any given time and the…

Cassandra's death scene was a bit ridiculous. She's moments away from dying from an incurable respiratory virus yet she's walking around looking just as fresh and lovely as she usually does. She just coughed and wheezed a few times and that was it. At the beginning of the year I had bronchitis and I looked and felt…

The time-jump was not my main problem with this episode - my main problem were all of Cole's actions after the explosion, he does not know about the time jump - all he knows is that he's in a collapsed building where a couple of minutes ago the most dangerous virus ever was released. Yet when he hears voices he yells…

Damn, this episode was good. I in no way believe Cole is gone for good, but the emotional impact of his apparent death here felt earned which is rare with with time travel sci fi. I also love it the fact that the production is going placed. I don't know how much is actually shot on location, but it all looks real.

For a moment there, I really did think that the show would send Cole back to Cassie's time and keep him there permanently and simply let events unfold. When I realized (belatedly) that the episode was, as you say, a Harry-Potter style time-travel story, I was a little disappointed.

I forgot how to make waffles.

Last week I thought they replaced Jessica with a British woman for her first scene…she did not sound like Mallory at all.

I thought the same thing last week about Malory. Her voice sounded so flat and off. But when I heard the joyous squeal when she saw the hovering wine tray, I knew it was Jessica Walter.

B-? I had a couple cocktails but I laughed a lot. B+ at least.

The Japanese soldier is based on the last WWII Japanese holdouts, Hiroo Onoda (who died a year ago next week) and Teruo Nakamura. And yeah, I guess the Six Million Dollar Man. Actually, it seems like there were quite a few pop culture versions of the same, like on Gilligan's Island.

This might be my favorite episode this season, actually.

So I've had a question this whole season. Where did the coke come from? I thought I was fairly well versed in this shows ins-and-outs (phrasing) but it just seems like the cocaine appeared from nowhere.

The idea that they're failing as cocaine dealers is obviously intentional and really funny, to me. Also, I do think it's building to something.