Wait, no, I found a new favorite: https://youtu.be/7QqKp6XBsYE

I also like this guy's minor key version of the Star Wars main title. It gives it an epic fantasy flair, like a Conan movie. Although both would still greatly benefit from a recording that sounds remotely like a real orchestra.

"e.g., i.e., fuck you. The point is, when I say jump, you say okay, okay?"

sucking the king’s nipples was a rite of fealty

"Now I will kill you until you die from it!"

"It is the city of Zinj… that I have looked for… all my life."

I can't bring myself to "like" this, but thanks for the heads up.

It would be tough to argue he was the most fun or likable, but the show wouldn't work without him. Not just for the obvious plot reasons, but because he's somehow the perfect foil for everyone else. Some weird kind of wacky straight man that lets everyone else be funny because they have him to play off.

He's the guy they modeled the goombas after in the Mario Bros movie, yes?

He was saying "boo-urns."

And why do they have to? JEJ is coming back, so….

So… Secondhand Secondhand Lions?

They also stayed in theaters longer though. I remember watching Scream 2 in theaters… and then watching Scream in theaters, because it was still playing.

He deserved more than a passing mention for Get Shorty too. "They say the fucking smog is the fucking reason you have such beautiful fucking sunsets."

I remember Beetlejuice: The Ghost With The Most

It's not meant to be taken literally, it refers to all manufacturers of dairy products.

Edge of Tomorrow works because he plays exactly the kind of character people hate him for… and then the movie takes him down a peg over it. It's satisfying, and he's actually not bad at playing a reformed wiseass humbled by circumstance. I think Minority Report works for similar reasons.

…In bed.

Yeah, it's a weird comment to make given all the things that have rolled out in the few years, especially premium Arclight-style amenities. I'd say this is the biggest period of theater innovation of my lifetime.

The Lion King, if anything, killed the Renaissance. Because after that, no Disney film could just be a fairy tale or a romance or an adventure. It had to be an EPIC. It had to be Big and Powerful and Important… but still have songs and silly sidekicks. It was an impossible checklist to fulfill, and after several…