Somebody brings up a Goonies 2 every few years, and it never happens.
But that’s OK, because this is not a franchise you can revisit.  Either you’re doing the original cast but they’re all in their early 50s, which isn’t nearly as much fun, or you do one of those things where it’s the children of the original cast and…

Great.
Now tell them you’re not doing the next season until Will gets a decent haircut.

Well, I guess we now know who DOESN’T survive the movie.

Reminds me of the time I saw Beth Howland from TV’s Alice and I told her how stupid she was for thinking George Burns was actually God.

What’s even more fun is watching this last night and seeing that Adam Tate, the inspiration for Bautista’s men’s rights douche character, just got arrested  in Romania for human trafficking.

It’s kind of numbing to watch, since it’s a rock opera with little or no spoken dialog.  And it ends on a cliffhanger (which will finally get resolved when they put out the upcoming movie).

Had he hitched himself to Shazam 2, a sequel to an already successful film, maybe that would have helped Black Adam become a hit.
But no, The Rock refused to job to Zachary Levi and so his movie sunk.

I think they real story is that they were “marched” there.
Seems like harsh treatment for people who’ve been inadvertently drugged.

Reminds me of the commentary track for the Alice Cooper’s obscure attempt to make a midnight movie back in the ‘70s.
It’s the original Alice Cooper group, and Alice is praising them on the commentary: “There’s Dennis Dunaway, fantastic bass player, great guy. Neil Smith, one of the best drummers ever. Glen Buxton, RIP,…

That app values the opposite of what I do in a film.
“Go pee now! It’s just boring dialog in which two people express emotions and grow as characters.”
“Don’t go during this scene! You don’t want to miss a second of the CGI cartoons shooting beams of light at each other for 20 minutes!”

Hey, shut up!
His daddy told him it was for babies!

It was good, though Tarantino isn’t a stellar writer of prose.
The novel has a very different approach to the movie - everything’s there, but it’s presented from a different perspective and in a different order.

No Italian Spider-Man, no sale.

Another exception would be Kevin Feige, who was just another up and coming studio suit until someone noticed he liked superheroes so they figured they might as well let him run the superhero dept.

It’s not about “liking,” it’s about profit.

Only because she hadn't been created when the '72 Orson Welles version came out. 

If Indy wasn’t there they’d have just killed Marion and taken the amulet right away.

My pitch is that it would connect to the late ‘60s/early ‘70s craze for occult horror and biker films.
But nobody at Disney wanted to hear my pitch.

She was the George Harrison of Fleetwood Mac.