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I dunno, that celebrity chef episode was fucking PAINFUL.

“She was half The Judds! Now there’s just one of them! So she is a Judd! She is A SINGLE JUDD!”

I really like this show… it's not perfect, but as mentioned above, the chemistry between the two leads has been really great. I'm not the biggest Karl Urban fan (his overall acting style is what I would call "forehead frowny"), but he's been actually fairly enjoyable. Michael Ealy, though, really killed it more

"Net Neutrality just ensures that people that aren't using Netflix are punished for it."

I did… it wasn't bad, some nice textures, but the songwriting wasn't great. Overall rating: meh.

Agreed. Swervedriver Jr., maybe?

Agreed, but hey, it's their first record. I'm glad they're stretching a little, even if some of it's not as tight as the stuff on "Extended Plays."

Or you could just say: they sound like Swervedriver.

"Feels right" became the chief failing of the RTD era - but of course, when you've got a crackerjack actor like David Tennant in the role, why bother with plot mechanics or tight/good writing when you can ram home every shade of the emotional spectrum in a slapdash 10-minute finale? I much prefer Moffatt's run on

Great song, although I remember it more from VMars…

I mean rapey where you don't normally expect it to be rapey. Or rapey simply to be shocking. The quality of the actual raping was never in question.

Yes, but will it be weirdly rapey?

That big stupid moony look on his face when he says "who are you?" always fucking slays me.

Superchunk's "Why Do You Have To Put a Date on Everything" (from "Foolish") has my favorite ever guitar solo/outro - all the sadness, desperation, etc. that he couldn't put in the lyrics bleeds through every fucking note.

you're a nuisance, and i don't… like… dirt.

One of my favorite records. You could say it has a foremost place in my heart.

" …wrong went once what right put to has Morton Joe which In."

"Agent John Doggett."