reglidan
Reglidan
reglidan

They got room and board! If they wanted to earn some pocket money they could have helped out around the house!

There’s a lot of talk about this, but in Sam’s case specifically, he was part of Cap’s renegade team. He was off the payroll. I would venture that whatever savings he (and the other renegades) had was used to help fund their activities, then he “died” for five years. Anything he had at that point was probably

It doesn’t make sense if the Avengers have a paid support staff and money to throw massive damn parties but Vision has to drive an Uber to buy Wanda flowers.

I’m referring to the following, as mentioned in the blurbs at the end of the review:

Exactly. That was one of the side-effects of the speculator boom of the nineties; comics started being printed on higher-quality paper, which ramped up the price dramatically in the space of just a couple of years, and when newsstand sales dropped (along with new readership) they just sort of shrugged it off and

Seriously, even in the 90s you could get comics in the grocery store or in Borders. And kids are still attracted to comics- when I’ve brought them in or when teachers have them in personal libraries they’re always very popular. But you have to actually make it visible so they can beg their parents for it. Marvel

If the studios had never come along, Diamond would have completely killed the medium of monthly floppies. Now it just gets a slow death on life support.

What if he discovers his last name is really “Slaw”?

The first episode was more ‘50s “in front of a live studio audience” until like you say, the eerie witch during the choking scene. The second ep leapt ahead to the early ‘60s early Bewitched Era with a single cam and locations that were not a sound studio. The reviewer is lumping the episodes into one era, when

It’s kind of hilarious—Marsden’s several years older than Stu Redman is in the books, and than Gary Sinise was when he played Stu in 1993, but he’s just too freakishly boyish and handsome to pull off “middle-aged beer drinker.”

Yeah, they aren’t focusing much at all on the fact that Harold’s actually pretty capable of navigating the apocalypse. The way they changed the roadblock shootout is a case in point. I think steering away from the amount of detail King included there probably made sense, but in the book Harold’s not humiliated or

Monster is a not good movie containing an all-time great performance, so I get where you’re coming from. My studio takeaway would be “hey, let’s hire that Charlize Theron! She’s fucking terrific! The director? I mean, okaaaaay...”

I don’t see any reason not to believe the reason she gives for having been out in the wilderness: most of the projects she was offered wanted to use her as set dressing and not actually let her tell stories. So while I get what you’re saying about not badmouthing people in Hollywood and would usually agree, if you

Petard, meet hoist!

I mean they should be doing this every day right

Let Him Go: It’s the Ma & Pa Kent team-up movie we’ve all been waiting for!

No way, 1971 Dracula vs Frankenstein is CLEARLY the best...he even comes with a groovy ring!

Now playing

One of the best covers of the nineties!

They had 4 Chinooks each with a shipping container slung under it.  So the potential for a good deal of people and equipment.  Also it was hinted at they were providing some of the security/police for the community, or at least influencing the security/police. 

This would have made for a really weak finale if they hadn’t extended the season. Not the worst but definitely nothing to write home about. The escape plan up until ‘Burning Down the House’ was a solid moment. Them suddenly out zombie-ninjaing the Whisperers later even without spotters and higher ground support though