The rape itself makes sense within the story they staged, but the storyline is pretty damn stupid. I think the condensation of all these characters into the Winterfell storyline was a good idea, but it's turned out to be pretty dull. Littlefinger's whole plan doesn't make a lick of sense, unless he has some kind of…

That also got him the role in John Wick.

Yeah, I read the books. And it doesn't happen there. I'm more peeved by how cheaply manipulative it is. Okay, Sansa gets raped. I'm not asking for her to turn into a badass warrior princess, but they were inching towards giving her character strength, right before turning her into a victim again. It's regressive and…

This show is becoming idiotic. The Sansa rape, the whole confrontation in Dorne (with the Sand Snakes, who are complete non-entities), and the dumbing-down of the King's Landing and Meereen plotlines. For all of GRRM's flaws, he is eminently skilled at moving around chess pieces and making the actions of the story…

"the actual act of Sansa getting raped/having something violent done to her by that dude is pretty damn likely"…

Does not work at all, because it's a bad joke and also comes right after thousands upon thousands of people were killed.

Arranging the deaths of Ned, Jon Arryn, his own wife, and plenty of other people.

I'm disappointed Melisandre didn't get to **** Jon, as it would have made killing the Boltons via shadow baby much easier.

The show has already cut out the later Iron Islands storyline. I wouldn't be surprised if Oldtown/The Citadel suffered the same fate, especially since it's almost impossible to tell how important it will be as a location in the overall narrative.

Aaron Taylor-Johnson has another power in addition to superspeed, however: a complete absence of charisma, character, or presence on the screen.

Really? Now I'm excited for the section of the movie in which Ultron falls off his hoverboard and gets amnesia, then becomes friends with the Avengers again.

No, it's not. In Chinatown, Polanski plays the guy who cuts Jack Nicholson's nose.

A slice of fried gold, to be precise.

As someone who watched the unrated cut of World War Z, I can safely say that having more gore does not make the movie scary.

Funnily enough, Gone Girl was not nearly as yellow as Enemy, which is probably in the running for the most yellow-looking film I've ever seen.

Eh, to each their own.

I feel very ambivalent about this film, but I'm probably going to see it. I can't imagine that it's going to be anything other than "okay." Safety Not Guaranteed is the very definition of a lazy indie movie, and the CGI in this trailer looks particularly bad compared to the original film. This trailer has a giant sea…

That….is actually a fantastic idea.

Only a Sith Lord deals in absolutes!

Yeah, but the horrid writing and acting subtract a great deal of substance from those movies. They're simultaneously overwrought and flimsy.