That's the exact thing I loved about the movie. That and the fact that Gene Hackman turns out to be the real sociopath.

When I lived in LA I tried not to talk about movies I hated in public much. You really never know if you're talking to someone who was involved with the damn thing.

I wish the theatrical version of "Amadeus" would come out on Blu-ray, the director's cut is so long and indulgent. Although the theatrical version doesn't have topless Elizabeth Berridge so actually I'm not sure.

You're fired.

Finally someone else says it.

Something about "Shakespeare In Love" always looked cheap to me. I seriously think it's the lighting. Just looks fake and soapy to me. I also hate the film on its own merits (which are none).

I read somewhere that every good print of that film has been lost or destroyed, so there can never be a good DVD/Blu-ray.

I thought it was exactly average. It relied on a single gimmick and people got swept up in it. I doubt many people remember the name of the lead actor or director now.

I can't remember an "important" movie that's moved me less than "12 Years a Slave." And freakin' "Les Mis" almost made me cry, for Christ's sake. It was kind of like a picture book or something. It never felt remotely real and I disagree about the editing because it never remotely felt like 12 years. 12 months maybe.…

I agree about Blanchett. That is one of the finest acting performances I have ever seen. Apparently after the first day of shooting Woody Allen told her she was "awful" so I guess whatever she did after that worked.

Maybe Prince Valiant was really a huge baby.

The thing that bothers me is that "Sleep With Me" is a pretty good movie in its own right that's only remembered for the last 5 minutes.

There are 24 frames per second in feature films. This twitter account was posting far less than that. If you're going to do it at least do it right.

I was perplexed by that entry too. In fact I think the exact opposite of everything they wrote was true.

A.J. should have watched "The Last Days of Disco" instead.

Maybe I was a weird kid but I always noticed when sitcoms reused actors. It happened a lot. But even "Deadwood" was not above this practice.

Supposedly Reilly remarked (probably a few times) "Who do I have to fuck to get off this show?" I swear I saw him at the West Hollywood Whole Foods last year, I don't care if he's dead.

"The original mix predates the loudness wars that followed in the ’90s, but the album doesn’t suffer from a lack of punch. Although the mix sounds from another era, it also doesn’t sound compressed to within an inch of its life."

He makes an excellent point about people covering the cover. For all intents and purposes the cover *is* the original now.