Kryptonians having the same mojo going on that Glory had is as good an explanation as any for why Lena hasn’t figured out that Kara and Supergirl are the same person.

But if we do that, how will we know whether any characters in the movie are secretly Cylons?

I think you buried the lede, here:

There’s a sketch (not sure where to find it online) where Will Ferell plays a guy torturing Jerry Seinfeld, that may have this beat for breaking. It doesn’t have as many people doing it, but even Ferell himself starts breaking hard at one point.

Coach was dumb in a kinda unique way that I can’t quite put my finger on.

I was disappointed that, when Michael came through the portal, he didn’t mention passing through someone’s vomit that was floating in there, like Chidi feared.

So going massively overbudget has ALWAYS been a problem for Superman movies? I guess, since it worked so well for this one, Warner Bros. decided to keep doing it.

Yeah, it’d be different if Superman left Krypton as an adult or somewhat older child, in which case we’d need to understand the world he comes from to understand him. But since he leaves it as a baby who’s too young to remember anything that happens on Krypton, it’s a bit like devoting twenty minutes of screentime to…

Reversing time by spinning the Earth backwards is a charmingly Paul Bunyan-esque bit of problem solving.

Just try saying “suit up” in unison once, you guys. C’mon!

It wanted to be (or at least wanted people to think it was) but REALLY sucked at it.

Are you also an Allison Pregler/Obscurus Lupa fan?

Based on her first appearance, Psi can make people experience their worst fears, but she can’t actually see into their heads and tell what those worst fears are.

Judging by that last scene, there’s a fair bit of corruption going on.

I think they assumed that, since they all knew about it, the knowledge should have drifted down to Ralph by now.

Maybe the broadcast didn’t have very good resolution. It’s not like Cisco and Caitlyn were ever in closeup.

All I ask is that the movie not be titled simply Clue. When I tell people one of my favorite movies is Clue, I don’t want to have to always specify “the 1984 version”.

No one can say it wasn’t creative.

Because if it’s not fun to play, people won’t finish the game, so most of the work you do on it won’t be seen.

Because few people are all that invested in James Bond as a character. He’s largely a blank slate that the audiences can project themselves onto; so long as he still looks good in a suit and says all the right quips, the specifics of who he is aren’t all that important.