ramblingmoose
RamblingMoose
ramblingmoose

Ooh, complex and controversial question!

Lifeld is unshockingly lovely. He’s exactly the upbeat mountain dew commercial you’d hope/fear.

I see your point but Liefeld is guileless. He’s not mean or sophisticated enough to cheat someone. He’s a simple and rad dude.

Thanks Al, came here to say that but you beat me to it.

These are questions that comic book fans are interested in. Tragically, DC comics is not in the business of writing comics that any fan would be interested in.

While a lot of folks already pointed out that yes, Deadpool was created as a parody of Deathstroke (insofar as much as Rob Liefeld is self aware enough for such a thing as parody) but no one mentioned the delightful way he actually got his code name.

All your friends are wrong! It’s the greatest!

Wow, now you’ve got me wanting to see Travolta and Slater have a Mr. Robot rematch!

It always comes back to Sean Con and N Cage.

You people. My girlfriend and I found out that my cousin watches TV at 1.5 speed because he’s overwhelmed with the number of shows he wants to catch up on. She’s impressed with his efficiency.

And it’s super weird because NO ONE HAS EVER DONE THAT EVER AND IT’S FRANKLY KIND OF CREEPY.

You know when something crosses the line so far it comes back around the other side? That scene sprinted around the line over and over again with Barry Allen speeds.

Face/Off is the best worst movie of all time (followed closely by Kevin Costner’s Robin Hood Prince of Thieves).

The worst part is that Bruno Heller made Rome- a groundbreaking HBO drama that basically created the genre that we now more closely associate with Game of Thrones. You know, an expensive costume drama all about hedonistic nobles, politics, and peasants getting raped in the mud as a reminder that history was actually

Well if they can work in Abigail Brand, I’m a happy guy. But I’d bet that Brand belongs to Fox (debuted in X-Men, spent years as an X-character, dated Beast, headlined an X-Men/Sword miniseries).

Can I just say that I’ve been thinking about and discussing your stories all day. I think it shows a great contrast of REAL examples (and not cartoonish hypothetical ones, or unlikely but rhetorically interesting ones) of how safe spaces and trigger warnings ALREADY EXIST in that a discerning teacher makes these sorts

I’m not sure what part of my thoughts you are addressing , but to reiterate: I think the conversation surrounding triggers and safe spaces has gotten really far afield from the reality and while I agree with your point rhetorically, it is a response to a problem that just doesn’t exist. The same students who are using

I don’t think the system is perfect. Any system that fires or loses Edgar Wright can’t be perfect. But I think that’s the core of Disney’s recent success, it’s the pattern you see in the Marvel movies, with Star Wars, with the live action remakes, with their recent animated films (Wreck-it Ralph, Frozen, Zootopia, and

And I got dragged in by the crappiest X-Men. But even I knew Onslaught was trash.

Hell yeah watch Clone Wars (I’m a fan of both!)