The connection of Anthony Cooper with Sawyer and Locke was VERY predictable since last season, so the fact that they stretched the revelation so much made that scene less impactful. My favorite ‘connection moment’ is when Sawyer tells Jack about the conversation he had in a bar with his dad; the most delicately and…

I really liked it, but I thought that the great 'revelation' was a bit clumsy. Since
the beginning of the episode, it was kind of obvious that Locke was leading Sawyer to kill Anthony Cooper.

One of Josh Holloway best scenes; he just nailed it.

We really have different points of view about the Six Feet Under finale, but it’s an interesting discussion. I found that the first couple of episodes of the last season where in the same mediocre dynamic the show was having lately: too melodramatic and repetitive.

''I met her through Megan Draper. She’s old enough to be her mother. Actually she is her mother''.

The show never really knew what to do with Megan, so it's OK with me that she doesn't appear in the last episode.

Betty-Don and Peggy-Don phone call's where the real ending of Mad Men
for me. They were totally devastating and gave an awesome closure to the
two most important relations of the show, under my point of view.

I respect the artistically meaning of an ambiguous ending, but I don’t think it has the emotional resonance as a finale that closes everything with brilliancy, as Six Feet Under or The Shield.

Yeah, well, that's what I'm saying. The ambiguity of Dan’s capability to change is acquired by putting the Coke ad in the last scene. As I’ve said, it can mean that he turned to the advertising business to write it –returning to his old life- or it just serves as a visual contrast with the true emotional changes Don…

A spin-off of Glenn and Dr. Greg Harris in Vietnam would be the show with less audience in the history.

Nope, I don’t think that the meaning of the last scene is difficult to interpret or requires too much thinking, basically because the intention is to be ambiguous about Don’s capability to change. I don't believe that there's a unique and true interpretation about it.

I don't think that Weiner intention was to give a straight-forward conclusion. Just as The Soprano’s ending intention was to be as ambiguous possible with Tony’s fate, with Mad Men it happens something similar: leaving
up to the audience if Don really changed or turned home to write the Coke ad. I don’t believe there’s…

I love when he doesn't answer her on the phone and you know just he's
coming to kiss her. Such a romantic well-earned scene

‘’He acts like we are the three musketeers. We’ve never had lunch
together.’’

Loved that scene and also loved that the show didn't end with the cliché of having them working together. Peggy's place is in the advertising business.

Wow, those phone calls dude… As always, Mad Men has the ability to
make me cry in ways I wouldn't ever imagine. Every phone call was so fucking devastating.

I prefer Alan Sepinwall. But Teti is awesome too! ;)

I absolutely loved most of the finale, because it gave me every single scene that I needed to let go this awesome show; especially the final scenes between Betty-Don, Campbell-Peggy and Don-Peggy. I just couldn’t stop the tears on those ones. This final season has gave us a fantastic closure to one of the best series…

She speaks italian, you know?

The last episodes of Season 3 was when I became a huge fan of the series.