Lots of teary moments for me in this episode, especially during the verdict. It amazes me, given the fact that I knew what that verdict would be since episode one. Ron and Nicole at the end was a really powerful way to put everything in perspective. What made it especially heartbreaking for me was looking at their…

Okay, so it's true that Darden WAS ostracized by some in the community, but I didn't interpret Cochran's words as expressing sympathy for that.

My final big 'holy shit' moment for this season: "Gil, you gonna look for the real killer now?" The moment that made me want to cheer was Darden's responses after Cochran's bullshit about welcoming him back into the community.

I had the exact same reaction. It's Daniel Bryan all over again. I got mere seconds of being happy for Styles before realizing that he only won now in order to lose later while carrying Reigns to a good match. It's just like "Fastlane" 2015. Reigns gets put with a far superior worker, giving fans false hope that some…

Haha, kudos for making 'holy-shit' into a verb. Very apt description of the reactions this episode inspires.

Wow, they really trapped him then, didn't they?

That 5th stuff was brutal.

What an absolutely electric hour of television…and it actually makes me more appreciative of last week's comparatively subdued episode. I now feel like that less emotionally taxing instalment works as a proverbial calm before the storm of this week's episode, in which tension between everyone was just off-the-charts.

Yes, while both episodes were a great time for me, "Battle of the Superheroes" is a little more rewarding and substantial with all of the wonderful homages to Superman's history. The way they sneak "dick" past censors by making it into 'dictator' is so clever.

I didn't watch much of that "Batman: The Brave and the Bold" animated series when it was originally broadcast between 2008 and 2011. I've started catching up a bit. Reading up on it, I discovered that there's an episode where Batman has to fight Superman (who starts acting like a jerk only because he's under an evil…

Aha, it was good.

Yeah, I was just watching "The Edge" for the first time and couldn't help but think "It's a shame he never played Batman". I didn't like "The Shadow" (which is Batmanesque), but my distaste towards it doesn't change my belief that he would have been a perfect fit for Batman.

I'm another person who loved "Batman Forever" as a kid. It's nice to see that others have a similar history. I'll probably always have some warm nostalgic feelings for that movie as one of the first I ever got excited about.

Mister Johnnie? Jesus Christ.

I'm embarrassed to admit that the only thing I've ever seen her in is "X-Men: The Last Stand". All I remember is her begging pathetically (and in vain) for mercy before the porcupine face guy brutally PUTS HIS CHEEK AGAINST HERS. Ugh. What an utterly, utterly thankless role.

Yeah, I thought the headline photo was a joke, some screenshot from a cheap old live action Spider-Man TV show or movie, not an actual shot from the real trailer of a slick new Marvel production. Weird.

I really enjoyed the interview and of course with people who've had great careers like hers, there are always inevitably more roles we wish could be covered. I would have liked to see "Philadelphia" and "What's Eating Gilbert Grape" brought up. I found it interesting how her character in "Philadelphia" just seems like…

That whole scene with the rollercoaster story is like classic Simpsons. Some really insightful and touching moments immediately followed by a wicked little cynical punchline to balance things out so it doesn't get TOO mushy. "If she's so brilliant, why is she sitting in the NEIGHBOUR'S CAR?"

I love that she mentioned Jean Arthur, because she's the only modern actress who I consider comparable to such a person. Like Arthur and other 1930s actresses, she has a very cheery, peppy, kind, gentle, lovable screen presence that always comes across in her movies and makes her so nice to watch, even if the movie…

Yeah, I'm really digging the nostalgia-inducing '90s hits being used to score key scenes. "Kiss From A Rose" was wacky, fun to hear, and oddly felt rather appropriate. I thought the use of "Sour Times" by Portishead was even better.