Me too, right?

It’s all here.

He eventually gave into the dark side himself, becoming what he swore he’d never be: a way better business person/occasional dick over lord than human yet visual storyteller.

Tomorrow the headline will read: ALAN MOORE ADVISES WRITERS SELF PUBLISHING SUCKS BECAUSE OF SOMETHING ELSE. BECAUSE EVERYTHING OFFENDS HIM. THAT’S WHAT HE DOES. HE’S CREATIVE BUT BATSHIT. SERIOUSLY.

Stealing someone else’s moves if you ask me.

What else?

They’re just going to change enough of the story to sell to the kids. Then in 18-24 months Kinja will be cross promoting the hell out of it.

Somebody must have some money that needs laundering badly.

I think we’re good now, Jim.

It’s the Damon Lindelof Style School of Bad Writing. Shoe horn any family or daddy issues you can no matter how out of place or continuity as a stand in for character development or depth. Then cash the check. See: Prometheus, Lost, Man of Steel, Star Trek 2009, Into Darkness. Better yet don’t see any of those films.

It’s been sacrilege to speak against the sacred Muppets among my peer group. Glad someone said it.

Parents who allow their children around Ryan Reynolds films should be investigated by child services.

The trailer manages to avoid any appearance of the nebbishy asshole slug that always gets the way-out-of-his-league girl ethic found in all of Seth Rogans’ work. So I remain skeptical until I see the final product.

I know God can be a real dick about miracles. And there are other things He, She or It should be worried about (like making sure JJ Abrams doesn’t screw the pooch physically or metaphorically), but Raimi returning to Spider-Anything, killing a spider even, I’d watch that.

Is this still on? Excuse me while I watch Flash re-runs on Netflix.

Honestly hard to tell. It moves too fast. It looks properly cinematic. Wanted a few milliseconds more of the horror bits. The problem is is that I still think of Seth Rogan as a dumb ass hack.

As I’ve argued in the past a lot of these shows don’t hinge on the content as they do the character. Kolchek worked best because of the infusion of Darin McGavin’s weird set of quirks. Robert England’s Freddie Kruger, the same.

It is honestly more interesting than what I’ve heard from the studio already.

So it turns out Vigo was Keiser Sose we in real life?

He looks like a euro-trash bootleg version of the Joker. It’s Turkish Joker.