The "goof around and improv" model is manageable on low-budget comedies. On $150MM+ tentpole pictures, not so much.

| Also, how the fuck can you not like someone's performance after they went through several auditions?

No, no, no.

Of course, if all us squares had heard of them, they'd be even more pissed.

There's a reason why it's length and width is listed in feet, but it's height is in inches.

Shush, you. There's a narrative in place and we're not changing it now!

It helps that DOFP's source was a tight two-parter. Apocalypse, on the other hand, was based on one of those bloated, sprawling cross-overs that was less a story and more a merchandising event. .

It was so, so perfect. If I had stumbled across that while channel surfing, I would have been convinced it was a Chris Morris sketch.

CORAL!

You can use it to buy the DVD of your most embarrassing outtakes!

American productions love UK & Aussie actors because
a) they're cheap
2) they usually have solid acting credentials, as opposed to the masses flocking to Hollywood each year
iii) they're "fresh faces" (*cough*white*cough*)

First they whined about Trump articles on an entertainment site, and I did nothing because I am not a Trump article.

You mock, but this was essentially the mission statement of the Project for the New American Century.

The most frightening thing about that sketch is how Bob's costume became the normal look for thousands of hipsters.

On Monster Island, duh.

I was all "meh" until KONG IN A SWEET JUMPSUIT!

LIBERTARIAN, n. A conservative that smokes dope.

I'm not afraid of ghosts, either.

| I really wanted to have sex with this girl anyway

Nathan Thurm was exactly what I thought of when I first saw that interview with Trump's lawyer.