FilmCo already said it, but let me also point to her very caption under that very photo just in case: “I just wrapped a feature #againstallenemies at 8+ months pregnant.”

I’m still partial to the joyful spirit and Brad Bird’s animated mindset to crafting action set-pieces of Ghost Protocol, but this might be the most ambitious entry with the best story yet (most emotional one too, surprisingly). Feels at times like it wants to be the definitive MI film, what with tying back to a lot…

Not wanting to know story spoilers, but I am just curious, book readers, that are we still having the tradition of a season ending mid-book here, or is next week likely to wrap up all (or almost all) of the third book?

As a Buddhist Thai, I really have to laugh at the incredible talking-out-of-your-ass you just displayed here. Like, wow.

Excellent episode 4 of Game of Thrones aired the same night as one of my least favorite Twin Peaks ep this season, but generally, and especially this week, yeah.

I blind-bought the Dead trilogy in my early teens, and Night of the Living Dead's bleak, still-capable-to-shock worldview made a huge impression. Looking through my Top list I found out it happened to be my favorite horror film as well. RIP.

eh, this is the first time I've heard anything about DAWN's score praise. This is like the critics' first reactions which go out of their way to note the score (which might say a lot about the film itself if it's the thing they stress on, but still).

Maybe that will change with the last one. Giacchino's soundtrack seems to be one of the most praised things about WAR so far (often the most praised thing, even).

He gave both Civil War and Winter Soldier B+. And since he claimed the latter the best since The Avengers, that would probably get a B+ (or higher) too.

@avclub-67c8325eb3b85f412759cdb7b7f25362:disqus But Rotten also has the choice of Top Critics, in which both the RT score and the Average Rating score will be filtered along with it if you choose that. With it offering the same (and more), I'd never understand how Metascore is considered better, except for…

I just watched a Thai doc about observing passengers on a train, Railway Sleepers, recently. Nice to have two similar, interesting observational docs in the same year.

Love that even in the midst of a violent assassination attempt Naomi Watt's Janey-E didn't slow down one bit and more than held up her own. Lynch's muses get all the best roles here.

Never understand why some people who use or disparage RT a long time miss the "Average Rating", or how that's less appealing than Metacritic. RT's average rating is first, covers more critics, and can even be filtered into only top critics. Makes it feel like it says more on anti-RT feeling (either for its…

…Jeremy (Nick Offerman), his best friend, with whom he regularly hangs out and smokes weed.

Smith also says he and Park Chan-wook are exploring a committee to get underserved directors and settings into Cannes contention, so I think he's aware of that aspect.

To me that one is relatively calmer and even if she's forced she at least has time to get to resign to the incoming death more and ultimately do it by her own in the end. The begging and pleading in these two kills (where the episode emotionally stacks the deck in favor of them more and more) almost never seem to end…

To me that one is relatively calmer and even if she's forced she at least has time to get to resign to the incoming death more and ultimately do it by her own in the end. The begging and pleading in these two kills (where the episode emotionally stacks the deck in favor of them more and more) almost never seem to end.

I planned at first to watch The Handmaid's Tale after this, but for the first time there's a possibility that The Americans might be more depressing. And if that somehow isn't the case, then I need even more of a break. Too harrowing.

I didn't exactly dislike it, but a bit shocked by overall positive receptions from many I follow, actually. And I say this as a Prometheus/Ridley Scott apologist

As much as some people dislike the "formula" of the first, it at least builds to a stirring climax that ties in the two arcs of Peter's past and his new family beautifully. This, on the other hand, has so many teamups and little arcs, with so little plot that about half of their drama never get enough build-up not…