Does this mean I won’t be seeing the same first trailer with every. damn. movie. for the rest of the summer?

I hear Affleck is going to play an all-new DC character, Sunk-Cost Man.

“Yanny” on the first hearing, “Laurel” next time I listened and ever after.

Oh, no. Resurrection was bad. I do have a soft spot for Aliens Cubed, though.

“One more thing, ma’am”

I have tried to give Alien3 multiple chances to change my mind but I can’t. It’s not a good movie. The “Director’s Cut” is slow and turgid while the theatrical cut is often a confused mess and, behind both, is story that is neither engaging nor original.

WOW there are some STRONG opinions about this.

Show name officially changed to “Chicago 99"

IIRC, the play treats him as if he’s an actual dude. That’s my read on it.

The very beginning of the movie shows his corpse lying in the (unburned) cabin. So he came in and got stabbed, but the fire was fantasy. I think that’s why he’s so blase when Michael Shannon tells him he’s sitting on gasoline, or whatever.

The last shots of the film show him dead alone in the foil-covered room and also the motel room conpletely normal as if none of this happened. This I believe is to deliberately tell the viewer that what really occured is up to your interpretation.

I find it to be a deeply ambiguous moment; you could make a plausible case either way. I’ve had someone argue that he just pretends to partake of drugs to try and win her over, but it’s really an odd one.

In Wick World there’s only two ways to permanently die.

Sorry, Claire, but an Aviation without Creme de Violette? Sacrilege!

For some reason I was bracing myself for it to be Tran. I don’t think I could have taken that.

the true villian of IW: peter quill...

As I said in another thread, the location of the park is a question I have no interest in whatsoever. It just seems pretty irrelevant to me.

I don’t know that it’s necessary to explain where Delos is located or that it’s the case that’s the writers of the show conceived a real world explanation in order to make a compelling story.