Sheamus is loads better than Ziggler.

Okay, this is where shit gets tricky.

Actually, most wrestling fans I know have made their peace with the gayness of it.

You just gotta find the right match.

I think CM Punk said that the only three "original" American artforms are Comic Books, Jazz and Wrestling.

It's not supposed to be the sort of traditional "good acting" that gets lauded by critics and sought after by actors, it's not about realism and complexity, it's about playing a character to its full extent.

Kids are stupid? Wuuuuut?

Are we including NXT?

With less violence towards women.

I find nerd to be such a useless amorphous definition that I don't feel like my "culture" is being appropriated or anything like that.

I really don't get why people love Barrett.

I'm pretty sure Syd is a better worker than the Bellas.

Jackman hit the ropes like a man. Just flung himself into them.

Sexy Star…isn't very good overall. She's attractive and she's had a good career and her gimmick/story is cool, but as a worker, she pretty much only works when there's somebody as talented as Pentagon Jr. to bring something out of her.

I see shipping as a continuation of one of the basic rules of…life; you want the good guys to win. It's just that in works that don't have evil sorcerers or doomsday weapons or wicked sports teams, the only way for the character to 'win' is to achieve romantic satisfaction. We're told that achieving a healthy…

Well, sweetening the crowd is whatever.

Maybe it's because I watched the day after on my computer, but I notice the small things, and I try to notice the small things. It's why I loved ADR, his mastery of the little shit was next-level.

Agreed on Rollins, I know people think he's a paper champ or whatever, but I think he totally holds his own and has been doing an aces job. He's a brutal, smart, jerk who's quick as a cat, but he's also an insecure pussy that second-guesses his own capabilities. I think his version of the vicious coward is up there…

I think that's what kept the show's heart, even as it got increasingly weird and bizarre. All the characters flaws and motivations came from very human states, fear of failure, of not being special, of being alone your entire life, of being attracted to the wrong person, of growing old. It's fantasy as it's best,…

I don't think that there's "no acting" in it, but I definitely think that as the show continued they relied more and more on real-life stuff. Hell, the whole (rather good plot) about Jeff "staying behind" as Troy, Abed and Annie went off to do exciting things wouldn't have landed as hard if Joel McHale wasn't just…