The headline should have been
Bill O'Reilly will wank away, $25 million richer.

The interface is smooth as butter, and the load times are exceedingly reasonable, but the combat isn't all that deep and is more about asset management than strategy, there's not much freedom to affect the plot, which moves like clockwork, the after-school activities are mostly "select stat to improve, watch…

Drats! Foiled again!

I would have preferred a throwback heroic pose — arms on the hips, chest out — and a hearty "ha-HA" after doing the deed.

Further proof that Zach Snyder is the patron saint of bros and bruhs everywhere.

He used to, "the radio factor," which was popular. He left it in 2009. Now he has some podcasts, but nothing on radio of which I'm aware.

He'll keep some portion of that $20 mil contract, probably not the whole thing since I imagine there are escape clauses for bad behavior. They'll negotiate that out quietly.

Well, that little umami booster from my bag of tricks has been disclosed. Drats.
So long as you don't start talking about the virtues of marmite as an umami booster and adding it to marinades and sauces, maybe I'll get through this with some of my secrets intact.

It feels like Capaldi went back to full Tom Baker mode for this episode. Not that I'm complaining, but it just feels like Capaldi's doctor never really found a unique voice.

Of course it's the same! Disney has rediscovered that secret sauce that Lucas lost all those years ago while making the prequels.

Cool how this episode made Bill's sexual identity as a homosexual woman such a big thing (established about 3 times in the first 10 minutes, and subsequently drove the entire plot), in a day and age when such things should not be big things.

That, I think, is right on.

Ah, nevermind, I just saw further down in this thread that they're on Netflix. Excellent!

Well, I've never heard him use the word "dude" or "bro," and his soda bread doesn't contain pepperoni or jalapeños, so I'm gonna go with no, each is his own man.

I'm going to have to track those down. You don't happen to know where I can find them, do you?

Mary Berry's "stern twinkle." Yes, that describes her perfectly. She was fun to watch, though, really, she never really had much of substance to say. Lots of short declaratives… "it's crunchy." "It has a nice flavor." "I haven't had this before, but I like it."

masterclass. I don't know if they ran it in connection with earlier seasons. But yeah, it was really nice. Only problem was that the camera focused on their faces during key moments, like when Paul was shaping baguettes. I'm like, dude! No offense, but I'd rather see how you shape the baguettes than the face you…

fortunately, it looks like it only grossed 500k, so the damage to society was limited.

Oh, man, just looked through. Ecks vs. Sever grossed almost 20 million in the box office. How did that happen?

I rented it in Japan when it showed up on DVD many years ago. I was starved for English-language entertainment, and even then, it was so bad, it was almost surreal. I can't think of a single movie (or any piece of media) that's less coherent. At no time did I have any idea what was happening in the movie.