peon21
21stCenturyPeon
peon21

Google AI overview developer walks into a bar, is careful not to crawl, sidle, limbo, or tumble into the bar, orders only beers on the menu in reasonable quantities, rather than 0 beers, -1 beer, 9999999999 beers, or a lizard.

Now playing

It really IS the late 70s again. High Inflation and an annoying buzzers from cars.

I’m old enough to remember one of the best…Moonlighting. Bruce Willis and Cybill Shepherd!

this is so refreshing to see, a classic av club piece. keep em coming.

Every time!

Chuck and Sarah from Chuck is my favorite. 

My favourite was PC Gamer’s subheading for their review of Cyberpunk 2077:

Great news. I think he’s a good director but these weren’t films for him and visually they were dull, not to mention the story. Then Godzilla Minus One came along and exposed how lacking his films were

Ryan Reynolds shtick has become so incredibly grating to me. Maybe its just all the mint mobile commercials and general whoring he does at every turn.

It’s like Mattel approving jokes about itself in the Barbie movie. They’re willing to take a mild roasting in exchange for money.

Alternate Headline:

Fuck it , I liked Space Force.

Her?

I was a kid, and still remember Bobby holding the egg up against a brick wall to test the theory, and the egg blowing back to explode in his face, in the same second.

Why would Marcello be the MVP of this season? The dude literally plays the same character every time. Quick, everyone: name a Marcello sketch that doesn’t star Pedro Pascal!

the whole series has been Old Sheldon (Jim Parsons, reprising the role physically after narrating the series, and with Mayim Bialik along for the ride) writing his memoirs

pass: not offered as a manual 

First thing I thought of when I saw that was...Tango & Cash? Just without the side turret.

It’s almost weirdly great line in series known for bad dialogue. Granted, it only exists to express a political sentiment and is characteristically devoid of human feeling, but still great just on its own.  

John Williams’ music.