Episode 3: Lucy blithely stands at a vendor while other Wastelanders wait behind her and get increasingly irritated by how long she’s taking.

That... was pretty damn good.

My money is on “geriatric rematch” autocorrected into absurdity.

Even better than the movie where he is “lowered like a drawbridge, fully clothed, onto a naked woman”?

They fact that they actually used the phrase “ONLY about one third” in reference to attempts to be defrauded by car dealers blows my mind. Terrible writing terrible angle.

I also had a record scratch moment. I’m going to assume it’s auto-correct.

Nah, what she said wasn’t the same. She just said when she was offered one she didn’t know what it was, and that she felt comfortable on her particular set with her particular co-star and production team. She didn’t say anything was wrong with intimacy coordinators in general or that she had any sort of mixed feelings…

I really like Push.

Now if only he could make a sequel to Cellular.

When I introduce someone to the show, this is my go to episode. It was for me as well.

“The Totally Excellent Adventures of Mack and the D”

I thought it was Grand Fenwick

It’s obviously Genovia.

A while back we had a series of daytime break-ins in our neighborhood, and eventually someone saw the guy enter a home and called the cops. He ended up jumping the fence into a friend’s backyard, a woman who had grown up hunting and shooting, and she went to the gun safe to get out a pistol. She was so rattled she…

The prosecution ought to have yelled “objection” so loud at that that they heard them on the International Space Station. There is no accidental discharge. There is only intentionally discharged, and negligently discharged. A claim of accidental discharge ought to always be treated as a negligent discharge. I’m glad…

“There you go, writing a lifestyle piece when it ain’t your turn.”

Aughh! You are correct. Ten whiplashes upon my back.

May I submit for your consideration, the Amphicar. It’s a car! It’s a boat! It’s not really good at being either! And it’s ugly...

And here come the racist trolls screaming about AVClub becoming The Root.

The thing is, that when crunch-time came, it wasn’t the artists who stayed late. It was Yamazaki doing the work himself. He took ownership of the challenge as both director and VFX supervisor, so when work was required to meet deadlines, he didn’t put that on his team. I’m also going to say this: as good as Godzilla…