And the Wilhelm Scream gets a lot of use.

On the plus side, they do, in fact, get to the fireworks factory.

Just watched it. (I have an annual Odeon pass, so it cost me nothing but time.)

Even if I wasn’t obliged by nationality to pick our original version over yours, I’d still nominate “Tim gives Dawn the paint set” as the peak-romance moment of “The Office”. I’m welling up just thinking about it.

The Matrix Renovations: Following a couple of first-time buyers as they turn the post-Revolutions wreckage of Zion into their dream home. But will it be ready in time to be their wedding venue?

OK, feels like we’re getting close. 

It looks like the model in the waiting room of a robot’s OB-GYN.

It’s a good ’un for certain. Puts me in mind of Elizabeth Blackstock’s excellent motor-racing history pieces that are really the only reason I go to Jalopnik.

Wait, this is what Ringo Starr did before Thomas the Tank Engine?

Handbrake can’t do it, it turns out.

I have Handbrake, but never knew it could do that. Thanks, I’ll check it out.

Did Brands Hatch run counter-clockwise back then? I’d guess the car spun out, but it seems wedged into the barrier from down-track.

The only thing I’ve found wrong with Plex is with my local-storage movie-rips collection - it understands that both files of, for example, the two-disc Fellowship Of The Ring are one combined movie, but it doesn’t understand that the length of the movie is the total length of both files, so I can’t navigate to the…

I know, right? That’s like wanting Christopher Walken not to dance. His name should really be Christopher Dancen.

And parked so badly, I’m surprised it doesn’t have an OnlyFans decal on the back window.

SNL seems to have real trouble starting and ending sketches these days. We have to sit and have exposition read to us before the funny bit is even on the horizon. If you can’t get a laugh in the first 30 seconds of a 5-minute skit, send it back into the room. And they’ve forgotten the power of a great last-line gag to…

Nobody’s mentioned the stupid post-credits, either, that (if I understood it through all the muttering to myself) makes Agent Argylle’s origin story a rehash of Kingsman: The Secret Service, as if retold by someone who hadn’t paid much attention?

Geena Davis’ character in The Long Kiss Goodnight was a redhead who went blonde once her pre-amnesia self reasserted, so BDH had to in this. That’s the rules of rip-offs. In fact, have we checked that Argylle wasn’t made by The Asylum?

From the blond hair-dyeing, through wise-cracking Jackson, right down to the ice-skating - which, by the way Vaughn, THAT’S NOT HOW ICE-SKATING WORKS.

A few hours before, did that tyre have a face-hugger attached to it?