Maybe I’m alone in this, but this plotline of Nora keeping this big secret from her parents doesn’t bother me the way secret-keeping plotlines have in the past. I think it’s because it’s a lot more drawn out, and there are pretty complex reasons why she hasn’t told them, which gives it a lot more foundation. Whereas…

We also learn that in the future Cicada comes back and starts killing again. Barry and Iris think that means they failed and didn’t manage to take him out. But it’s clear Grace is infected with meta-tech too and the Cicada of the future is her taking up her uncle’s mantle. I’m just not sure if Nora realised that.…

Galvin is just more evidence that supporting characters are more interesting when they’re allowed to be part of the story instead of plot devices to keep secrets from to create drama. This was true in the Arrowverse and it’s true here.

There might be a reason, the actor might supposed to play stiff. Remember, he states Maggie gave him desire to feel. He might have spent most of his life trying to control his emotions, as he is part demon.

The Kit-Olaf kiss/death scene was strangely sweet (and rhyming!) You’re right though, so much of this season (the fungus, Kit, Lemony’s involvement in the story, etc.) should’ve been should’ve been integrated much earlier into the series. Then again, we might be asking too much of a kid’s show.

The final few moments destroyed me. I think it’s the fact that I grew up reading these books and remember how depressing the last book was. The fact that they decided to give the characters happier endings gave me a feeling of long overdue closure that I did not expect. Seeing Lemony reunited with a new “Beatrice”,…

I really loved season 3 and I thought this was a good finish to the series. My only slight note on this episode was that I wanted more of the island story from the book.

I’m grateful that this adaptation happened. It was never dull to watch, and often the most visually captivating series currently running, brimming with wit and imagination. Despite its Gorey-esque tone and macabre and cynical leanings, I don’t think I can call it a pessimistic series.
Yes, authority and institution…

I was very surprised by the finale and thought it served as a satisfying ending to the show. And while I liked the darker and macabre twists the show had, I couldn’t help but feel happy when the henchpeople had the applause and validation they wanted from Olaf since the beginning.

When Betty sees the Black Hood inkblot she says butterfly. Then the next Gargoyle King one arguably looks even more like one. Her expression is priceless: “Monarch butterfly! CRAP! I just said that. I swear I’m not a obsessed lepidopterist! Can I get a do-over? Uh ... childhood jungle gym? Yeah that’s the ticket!”

Next season, Betty and Jughead will be investigating Tamagotchis possessed by the spirits of America’s most infamous serial killers, and it will be the greatest Riverdale storyline.

Veronica will be CEO of Lodge Industries and, during heavy layoffs, her bodyguard Archie will be roughing up union leaders. It will be…

My rule for Riverdale:

When the show makes KID STUFF into SOMETHING ADULT, like Dungeons & Dragons that’s addictive and dangerous, it’s very entertaining.

When the show makes SOMETHING ADULT into KID STUFF, like Veronica joining the mafia and opening a speakeasy for teenagers, it’s deeply stupid.

Doubtful, they like to keep it vague tossing in a small fact here and there.

While I really like Niko I think she can do better than Mel, a woman who took away her agency and large chunks of her life.

Great episode for all the companions I thought. Ryan and especially Graham got the big moments, but Yaz (and her adorable Leia-like double hair buns) had nice bits too, comforting the little girl and making her feel safe, and taking umbrage at the anti-matter universe taking advantage of Graham’s heartbreak.

It may be that Lena was able to open up to Adam precisely *because* he was someone who didn't know her and wouldn't care, someone who could be nonjudgmental.

And then on the other side of things, the conflict between Macy and Mel/Maggie that brews as a result of them keeping secrets from each other gets brought to the surface and resolved too quickly, without really letting the full weight of it hit.

Wow, I really liked this episode, so I’m surprised by the negative review. I got such a kick out of the Cecile-Ralph pairing. That first scene when she was trying to intimidate him is the most I’ve ever liked her character. (I’ve always liked her character, but that was a high point.)

I preferred Demons in the Punjab to this. I thought it was interesting that Prem overlooked the threat from Manish because he’d become twisted so gradually.

Events as portrayed in Oxygen are completely unrealistic. Nobody would work for a company that provided poor wages and would kill you rather than replace you. At that point being a criminal would have been a better choice. In other words, this business model is impossible, so that episode criticised a strawman of…