All good calls. I think the big thing is, there's a level of precision that Cross and Odenkirk want with their sketches. The behind the scenes one shows Bob (wisely, I think) shooting down the gag about Jesus and Muhammed making out in the near-death experience sketch. Not because it's offensive but because it…

My feeling was that the "lost straight man" had more long form potential but was too unwieldy as a sketch to get in and out of cleanly. It's less "neat" as a comedic premise and would be better suited to something like a movie or an anthology sketch show where one sketch gets the whole half hour.

Well, Kirk and Spock were as well.

I still think it was a mistake not to go double or nothing with the Storms. There's a toyetic action figure synergy to the group's visuals and part of that is Johnny and Sue looking alike. Having one of them being adopted detracts from that.

You could be bigoted, if not racist. I have a Hungarian friend who seems to have a love-hate attitude towards Scar-Jo's Black Widow because the lack of accent and she was pleased that Scarlet Witch and Quicksilver attempted accents.

From what I read, it's because the character wasn't Indian when Stevens was cast. They changed the character's ethnicity after casting him and asked him to try playing it that way after the cast was finalized.

I love the second season. After Laura's killer is caught, the show morphs into Northern Exposure with a dash of X-Files and a Hannibal Lecter super-villain subplot.

I bet Ben Horne is the log lady now. He was on an eco-kick the last time we saw him. I bet he's a sweet old man who communes with the forest spirits.

Scott also didn't know that sex was required for kids when he met Screggie, Jr. And he didn't know what sex was.

Incidentally, I'm now picturing Scott Aukerman saying "I'm Adam Nimoy and am totally not Alec Baldwin wearing a Spock wig" while dressed in a Star Trek science uniform with an Alec Baldwin rubber mask.

I figured Chuck Lorre might have stolen the joke from Hot Shots Part Deux and not realized it was a joke.

The "prima nocta" bit followed by a redundant explanation was my concession to BBT's "style" of dropping (not really very) obscure references and then explaining them the way you might expect an original community theater play to.

Well, your case sounds extreme. I was diagnosed with PTSD myself after a traumatic event. I know every person's process is different. It may be that you're at a point of full-on disability.

GAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH.

Colin was conceived before Tom's film debut, like almost all good celebrity children. Although if you follow the Sean Astin test, I'd suggest the appropriate time is sometime after the actor received their first industry award but before they can get nominated for their second.

That would solve income inequality in a hurry.

You're getting there.

My thought was, "Why did they confuse autism with sociopathy?" Granted, I think there is increasingly a diagnostic confusion because psychiatrists are chickenshit.

I laughed at the scene but I found it to be horror laced with dramatic irony. We knew that he was about to die (I actually think I was the only one in the cinema who knew the first time I saw it; the friends I went with seemed confused). But shock is not horror. A scary shock is never horror. To me, horror is knowing…

Do Superman for NES!