Can I just mention, Eva Green has spectacular tits, that alone should give the movie an R rating, whether revealed or not.

I love all of Gilliam's work, and Brazil is amazing, but Tideland, is so underrated, so brilliant, it's my favorite film of his, It's plot in comparison to Little Miss Sunshine, which came out the same year to critical acclaim, no less, has the same central elements, but Tideland's phantasia of darkness and childhood…

Actually, Harvard education notwithstanding, he is fucking stupid, And that voice, god, listening to that high pitched fey voice, supremely unelectable, except in motherfucking Texas

I have nothing to say other than that I laughed out loud for the time it took to read this article, way to go O' Neal. Of course, I am drunk….

Night Flight! Now I miss it too, saturday nights on USA back in the day if I remember, exposed me to a lot of great music.

Also, if I remember, his wife was played by a white actress in season one, so it seems more likely a colorblind choice, though the different person observation is an interesting point.

She does have a couple of actual nephews, but her sister was also clearly raising Peggy's son as one of her own, there were a couple of scenes when Peggy refused the opportunity to interact with the child.

She can also always fuck her "nephew's" head up and tell him the truth.

"I can't say I enjoyed Malvo's little speech about the rottweiler - though the show doesn't want us to, which is key- but I think it helps underline why the show is positioning him and Molly as polar opposites,"

Rant.

Also him telling Gus, "You're making a mistake."
"What?"
"In two hours, you'll be saying, 'you're making a mistake.""
And when he of course said it, and gave Gus that over the shoulder
'I told you so' devil smile, perfect. Between that and the aw geez Minnesota Lutheran pastor routine, BBT was awesome tonight.

I posted something way upstream last night that expressed a similiar sentiment and I appreciate your clear articulation of the problem. The suspension and partnership issue has dragged me out of the realism that really made me love this show. I hope the writers have a plan to resolve it that makes sense, but it seems…

No doubt. The way the show circles around itself and references it's characters histories and the 60's setting are part of what makes it one of the greatest shows ever. I just find that way to much of the "subtle/unsubtle" symbolism discussion in any episode is overkill and obtuse criticism of the show. Don is in a…

I think he was more offended that she thought to compliment him on being smooth, when as he says, that's just what does,happens all the time.

I underestimated the depths of the partner's antipathy toward Don, because I assumed after last episode that Don, despite the demeaning conditions and shit office, was still a valued commodity. I mean he is after all a partner, he did initiate and found the core that's become that firm, he was and still is the…

I think the discussion of subtlety on this issue is misstated.. As near as I can tell, Don is not a dead man or about to become one in the near future, he is Lane's office, who is dead, because the partners have put him there as an unsubtle, fuck you, This isn't Matt Weiner's unsubtle symbolism, rather it is Sc&P's…

Resolution, We Are What We Are, The Woman, The Bay, The Tall Man, John Dies At The End, Pontypool, Beyond The Black Rainbow, Dust Devil (unfortunately the short, shitty, studio cut) and also, not strictly horror, but Dogtooth, Irreversible, Upstream Color, and AntiChrist are all provocative in good ways. I realize a…

i watched the original for the first time last night, and while I was willing to give a pass on the second shot because they did at least mention and attempt it, to then do nothing else? All I could really do at that point was root for gruesome deaths for the both of them as punishment for their stupidity, And,…

"He's just kidding. Oh wait. No, I win."

“Okay.”