Curious that back at the time it was really the house style of Bruckheimer that was blamed for the frenetic incomprehensibility of The Rock (that and the new toy: the Avid), a style that was really developed by Tony Scott a decade earlier with Top Gun and Days of Thunder.

Had to check at the imdb and actually Bay has never made a movie under 2 hours and only The Rock, The island and Pain and Gain clock under 2 1/2.

Bad Boys 2 confirms Michael bay as a true auteur while simultaneously suggesting that that's not necessarily a good thing.

Bruckheimer's productions share with Billy Madison's the dubious honor of getting grotesquely overqualified casts.

Mine was Armageddon.

This is a magnificent example of an actress taking away some deeply shitty ideas from the filmmakers through sheer force of personality.

Wait wait wait WAIT… you haven't forgotten about the existence and undeniable awesomeness of The Hunt for the Red October right?

You're thinking Alan Rickman. This is Alan Ruck A.K.A. Cameron Frye.

-The Buscemi, Fraser & Sandler flick is Airheads

I definitively got that vibe from Perks and some of the stories I've read about the screenings, and it definitively mirrors what we felt as a group of queer kids when we first encountered it as a pirated copy of a VHS copy of a VHS copy… back before the internet was much of a thing.

The most usual complain about it I've heard about Rocky Horror is that it mocks its influences, wich I not believe but can see where someone could take offense.

That's actually answered in the linked interview.

I still can't understand why they aren't making this live after Grease being one of the greatest tv surprises in ages (and who would think that Vanessa Hudgens could rival the immortal Stockhard Channing).

Oh fuck, that grey system is evil…

Well, maybe they felt they had something to prove, since the very next year Lang, Robinson and Joan Bennet (the woman in the painting) reunited for Scarlet Street a great, nasty noir about the relationship betwen a mild mannered older man and a young femme fatale wich also happens to revolve around paintings.

The moment they tried to give Barney a soul it became obvious that they were far more in love with their characters than their audience could ever be.

I'm wrong for saying Michelle Pfeiffer or is a generational thing?

Weirdly I went to Brando for a second, until my brain went "duh!" - but yeah, the question's fair (for everyone but Garner, who whatever the answer would've been paired with a guy at least a decade older).

Ask me again tomorrow (until Ultron I would've defaulted to Cap, but the more toughtful Stark in that movie, added to his long commitment to Pepper and his associaton with Banner made a lot to rehabilitate the character from his more broish tendencies, so I'll wait and see, particularly considering that Cap's…

From the ones that haven't been answered yet: