overthebounds
overthebounds
overthebounds

It’s weird to me to see articles like this that talk all about AKIRA without once mentioning Katsuhiro Otomo’s name...nor even showing his art. Illustrating the story with fan art (I know it’s a sanctioned alt poster, and a beautiful one, but still) and not acknowledging that both the comic and the original movie have

Favorite comment ever.

Way ahead of ya.

Starred for like minds of impeccable taste. Also wrote several paragraphs about Shadow Hearts...

Edwards has made two monster movies that focus on the PEOPLE more than the monsters. It’s admirable, and is a factor always pointed to as being indicative of their strength both within and in spite of their genre.

Probably the best episode of a great series. Huzzah!

Came for the SHADOW HEARTS, so ended up disappointed there - but still happy to see more games I should be playing. Since you won’t talk about Shadow Hearts, though...

Because Box Brown is a renowned and talented cartoonist. If he wants to tell a story, why would he tell it any other way than through comics?

Brian Azzarello is co-writing the series - he’s not an artist.

Now playing

The Hidden deserves to be on this list, but NOT the way some of these so-bad-it’s-good masterpieces do.

So we’re still propping up Yale “serial unsolicited dick pic-er and well-known creeper” Stewart and JL8? Even after he admitted and only half-assedly apologized for his abuse, then apologized again and admitted that the first apology was actually somewhat dishonest, and then did the same thing again about his second

Quoth the press release:

This comment here is the kind that makes me hesitant to wholly buy the “bad adaptations are meaningless, the originals still there to enjoy!” line of logic/comforting.

One of the all-time funnest albums recorded.

What's Upton Dogg?

His two-issue arc with Mark Waid about Spider-Man, Shocker, and a train full of people caught in a collapsing subway tunnel is one of my favorite Spider-Man stories of all time. Marcos is the best.

FYI, there’s no print version of The Private Eye. It’s digital-only, and pay-what-you-want.

Me too! And I agree.