I’m no huge Phish fan, but there’s a part in the middle of Slave to the Traffic Light where they do the build-tension-forever-then-joyously-release-it-with-a-soaring-guitar-solo thing as well as it’s ever been done.

I like to think that Harris has simply traveled to another plane of existence where he is still trying to convince people that Phish has some ‘good jams’ and that those people are still replying, ‘No, Harris.’