Someone speaking to a Capital Gazette photographer identified himself as a dockworker and compared the view to NYC after 9/11.

I’ve also seen people criticizing the city for having a “DEI mayor,” which is wild considering the city is like 60% black. Or they criticize his youth in a very coded manner -- he’s been in politics for more than a decade, he’s almost 40 and he moisturizes.

Thankfully, the feds are paying for the bridge.

I woke up to messages and mentions asking if I was good. Thankfully, I am and my family is. It’s truly unthinkable what happened. The governor says the ship was able to issue a mayday and so most traffic was able to be cleared from the bridge. I’m thinking about the construction workers and anybody else who may still…

They took zero accountability for the roles of people like Herb Scannell, Brian Robbins and Albie Hecht in allowing this environment to fester.

Red flags ignored time after time after time. As a kids network that employs child actors, Nickelodeon had and has a special responsibility to look after these performers, even if it’s some other company like Schneider’s Bakery or Tollin/Robbins handling the day-to-day. And you have these people like the PA, like…

I’ve never even sat down and watched the VGA’s, because the whole thing is just a glorified infomercial.

Maybe it’s true, we all live in a simulation.

Austin St. John, he’s mixed. What does he think the Nazis would’ve done with him?

Copon also grifted fans for an unofficial Power Rangers film that will never get made.

I like to think I sniffed him out as a hack ages ago. He came off as ingenuine/smarmy when he was on G4tv.com (the sh0w), which is probably before the time of many readers here.

He’s been saying and doing stupid stuff for a few years now, and palling around with people who say stupid stuff. He made homophobic remarks at a panel and other actors on the con circuit don’t like him. He allegedly cheated the federal government. He upcharges fans for toys you can go buy on Amazon. His appearance…

I think the difference is 12 Years A Slave and Green Book and Crash didn’t implicate the audience whereas Flower Moon does. Furthermore, 12 Years A Slave, etc., these are white savior movies, they’re movies about reconciliation whereas Flower Moon isn’t that. There was no happy ending.

I think there’s a common thread between Paramount getting cold feet when the story changed to focus on Molly and Ernest and the Osage point of view, and AMPAS voters choosing Oppenheimer and other films over Flower Moon in various categories. And part of it is race. You have a lot of Academy members who are…

I think they should’ve stripped it back to keep the focus on the people Hollywood lost, and then they might have had more time to properly honor them. What also gets me about the “cut for time” list is that these are people who were in big films of the past year (like Lance Reddick) or films that had been nominated…

American Born Chinese hit only a few months after the Oscars and the marketing confoundingly failed to capitalize on the fact they had her and Ke Huy Quan and Stephanie Hsu and James Hong.

And that meme idiots throw at laid-off journalists, “learn to code,” turns out that shit will not save you.

There’s nothing wrong with stepping back. He’s had help going back to 2001. Composers like Hitoshi Sakamoto and Yoko Shimomura can pick up where he left off.

I guess there’s a fine line between faithfulness and cosplay. The costume folks who worked on Netflix Bebop faced a similar struggle.

I don’t think it’s so much that anybody wanted a Madame Web movie as Sony needs to keep making these movies to keep the Spider-Man rights.