Yup - I've always hate the trope of killing the Head Vampire - it's such an easy way for writers to wrap up a threat nice and cleanly. It makes our hero's task a lot less complicated.

I hated GE when I first played it - having played Quake Quake and nothing but Quake I couldn't believe you'd release a FPS in which your weapons wouldn't carry over to the next level.

I think that's why CR is such a success, and it's purely down to the fact that they were forced to include it because they were adapting the book (although it's baccarat in the original). It gives the movie a sense of class and allows it to slow down. I don't think any other Bond film will have a sequence like CR's…

oh my God iT'S DIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIP!

It's so odd to have 2 perfect interpretations for entirely different reasons!

I was really impressed how Sherlock and Watson spent the rest of the episode running around on broken legs, too. It was almost as if jumping from a high window onto hard concrete didn't affect them at all!

Warburton's casting is one of those wonderful WTF situations where I just couldn't picture it until that first teaser. It then clicked perfectly!

I was so happy when Blackstar came out - there's always a risk when an artist you love creates an album you only 'like.'

It seems a reassuring counterpoint to 'nice guys finish last.'

Everyone wants hoverboards, flying Deloreans and a fax machine in each room of their homes.

Do they use the Simpsons Cartoon Studio that I used to have on the PC?

I'm just entertaining the notion that those one second shots were as good as the performances got. I'm actually a big fan of Edward's Godzilla flick, but the trailers certainly implied that the film hung on Brian Cranson's passionate performance, when in fact that wasn't the case at all!

Has anyone considered that the performances might just not be up to par? The trailer looked gorgeous and was cut well but the performances didn't click for me, which rather describes the director's previous movies too.

Came here to post this!

While not quite as funny as the other two* it also feels the most 'real' of the Cornetto trilogy and I think a lot of people don't like how it challenges the notion that living in the past and wallowing in nostalgia can be a bad thing. Wright/Frost/Pegg's fanbase is mostly made up of man/women-children (myself…

Surprise sur-fucking-prise! BJ2 is definitely a I'll believe it when I see it flick.
Probably shouldn't be called BJ2 though.

Good. Her story came to a natural conclusion. The LAST thing I want to see is her shoe-horned into the next film to appease the fans, a la Boba/Jango Fett in Attack of the Clones. Let her go!

Evil Dead 2 cemented the word 'Groovy' into my lexicon. Before Austin Powers came out I was literally the only person I knew who used the word!

Sadly I think far too people were using a 'Hey, let's talk about this' tone. At least on the sites I was visiting at the time :-/

Yup - it's a total minefield and I'm sure completely exhausting. The public loves to destroy its heroes too - Joss Whedon being a recent example for Black Widow in Ultron. Filmmakers should be allowed to tell their stories without fear of having to continually apologise for piffling little things.