ok87
#OK
ok87

hubba hubba...on Randall. There’s definitely not a Popeye’s nor CB anywhere near one of the richest counties/towns IN THE UNITED STATES. and how the fuck long was Kate up there?! Like 5 fucking hours?!

The least believable part of this entire episode series was that a millenial couple a few years post college with a baby in their early 20s would be able to afford such a sweet mid-century home in California.

I really enjoyed the episode. I do think Kevin has grown a lot and it feels earned.

If things are so good for the loyal servants of the dark lord, if they’ve got premium cable and Ryan Reynolds on Wednesday nights, why are they so anxious for the world to end?

What? They’re adding tons to the narrative. Like...the entire story of how the Antichrist arrived and ended the world? Clearly the first couple episodes were a prelude to the finale, and most of the season is how we got there. It’s not that hard to understand.

Every time I see a horse and a herd of walkers I can’t watch b/c I think of that episode where Aaron befriends a horse, only to watch it get eaten by walkers. I don’t care if people die, I just can’t watch animals die on the show.

So far this season had been pretty dumb, but not absolutely terrible. That changed with this episode. I really don’t want to see Rick and Daryl hang out in a random hole in the ground, or Negan give Michonne a “we’re not so different, you and I” speech and cry about a damn baseball bat, or really see Negan do or say an

What in the name of all that is Holy, is the deal with Jadis feeding people to the walker with a bucket on her head? How does that prepare them to be taken in trade by the helicopter people? Will someone just explain this shit?

If this season has a theme, beyond greatest hits, it’s exposition through flashbacks.

Certainly my favorite episode of This is Us in quite some time. Everything about this episode worked.

Damn! That opening shot of Washington D.C. looked almost as empty as Trump’s inauguration.

I disagree. I think Cody Fern is doing an awesome job.

Nah, I think it was just an easily recognizable poster that establishes that we’ve jumped time from the Clinton/Gore sign earlier.

A nod to the excellent Will Chase, the unnamed gifted actor who plays Ann Nash’s father. Chase seamlessly alternates between backwoods and Broadway in his career, and he hits just the right tone here.

Don’t be dense. the Clinton/Gore and Obama poster are to show the difference in time for her coming home.

I agree with all this. It seriously frustrates me that this show won’t be eligible for a big award until 6 months-a year after it’s over.

The casting of Camille’s younger self is eerily good. I did not recognize right away that it was the same actress who played Beverly in It.

That’s a pretty notable character beat to get that wrong.

Pretty sure the half-sister’s lines were:

— “Agent Beeman. What have you discovered?”