Working through a collection called Crime Novels: American Noir from '30's and '40's. But guys do me a favor and don't recommend Edward Anderson's Thieves Like Us to that Trump supporter who you know. There are so many terrible racist epithets that they would find inspiring.

I recently split up with my wife so it was Xmas with the rest of my single friends, sitting on a stoop in the Puerto Rican part of Kensington, Philly, watching a bunch of people dance to merengue. Best Xmas ever.

I'll check it out although Mark Stewart's last record sounded pretty pedestrian. Control Data is my favorite too.

Saw them in 2011 and will be skipping this time. First two albums still sound great but the newer material doesn't do anything for me.

Also a great writer. Reading currently Brainquake. It would make a great indie movie but it has to be directed by someone with steel cajones.

According to Film Noir Encyclopedia the entire movie is the dying Walker's revenge fantasy. I wonder if Breaking Bad borrowed a beat or two from Point Blank.

Now you're gonna make me listen Yield. See what you did?

Every other reggae song is about reggae.

I remember the world's smallest horse at the Greek Fair in South Jersey. It was actually kinda sad. So I had another slice of baklava and a few more shots of ouzo and my night got better.

Upvote for The Man Who Laughs

I'll watch it when I subscribe to Showtime in 2016.

Clowns are nothing to me either. Robert Blake in Lost Highway, on the other hand…

It can move next to Skarzysko-Kamienna in Poland

American Horror Story: Andrei Rublev. AHS in medieval Russia with frantic Orthodox monks, crazed icon painters and oppressed peasantry.

So, this is a sequel to Andrei Rublev? Wait, what? It's not Andrei Tarkovsky?

I'll stick with